Date: 9 December 2006 | Season: Expanded Cinema 2006 | Tags: Expanded Cinema, Stuttgart
EXPANDED CINEMA PERFORMANCE: BRUCE MCCLURE
Saturday 9 December 2006, at 8:30pm
Stuttgart Württembergischer Kunstverein
McClure creates hypnotic and immersive film experiences from a minimal quantity of audio-visual information. Loops constructed by bleaching clear frames from opaque emulsion are manipulated live by the filmmaker, using guitar effects pedals and adapted 16mm projectors, which have been modified in order to vary their intensity, speed and framing.
Bruce McClure, Rack and Slide, USA, 2006, 3 x 16mm performance, colour, sound, variable duration
Bruce McClure, Nethergate, USA, 2006, 3 x 16mm performance, colour, sound, variable duration
Date: 10 December 2006 | Season: Expanded Cinema 2006 | Tags: Expanded Cinema, Stuttgart
EXPANDED CINEMA: DEMONSTRATION
Sunday 10 December 2006, at 3pm
Stuttgart Württembergischer Kunstverein
BRUCE McCLURE: DEMONSTRATION
Bruce McClure will discuss his work and give a practical demonstration of his uniquely modified projectors and sound processing units.
Date: 10 December 2006 | Season: Expanded Cinema 2006 | Tags: Expanded Cinema, Stuttgart
EXPANDED CINEMA: SCREENING
Sunday 10 December 2006, at 7pm
Stuttgart Württembergischer Kunstverein
Malcolm Le Grice, Castle One, UK, 1966, 16mm, b/w, sound, 20 min
One of the earliest expanded works, “The Light Bulb Film” questions the role of the spectator in film viewing experience.
Morgan Fisher, Projection Instructions, USA, 1976, 16mm, b/w, sound, 4 min
Every film must be performed by the projectionist. This one requires extra attention.
Lis Rhodes, Light Music, UK, 1975-77, 2 x 16mm, b/w, sound, 25 min, film environment
A dynamic and interactive sound and light environment in which image and sound are inextricably linked.
Date: 10 December 2006 | Season: Expanded Cinema 2006 | Tags: Expanded Cinema, Stuttgart, Tony Conrad
EXPANDED CINEMA PERFORMANCE: TONY CONRAD
Sunday 10 December 2006, at 8:30pm
Stuttgart Württembergischer Kunstverein
Tony Conrad presents two performances that propose alternative systems of film production and refer back to a sequence of interventionist works he made in the mid-1970s Bowed Film combines Conrad’s interests in film and musical minimalism. For Sukiyaki, unexposed film strips are stir-fried in the traditional manner prior to their unique projection.
Tony Conrad, Bowed Film, USA, 1974, 16mm performance, b/w, sound, variable duration
Tony Conrad, Sukiyaki, USA, 1973, 16mm performance, colour, sound, variable duration
