OCCUPY THE CINEMA
Thursday 11 October 2012, at 8pm
London ICA Cinema 1

AUSTERITY MEASURES
Ben Russell & Guillaume Cailleau, Greece, 2012, 16mm, colour, silent, 9 min
A colour-separation portrait of the Exarchia neighbourhood of Athens, Greece, made during the Anti-Austerity protests in late 2011. In a place thick with stray cats and scooters, cops and Molotovs, ancient myths and new ruins; where fists are raised like so many columns in the Parthenon, this is a film of surfaces – of grafitti’d marble streets and wheat-pasted city walls – hand-processed in red, green, and blue. Made as part of a hand-processing workshop at LabA in Athens. (Ben Russell)
www.dimeshow.com

SEEKING THE MONKEY KING
Ken Jacobs, USA, 2011, HD video, colour, sound, 40 min
The film could have well been called ‘Kicking and Screaming’ but that only describes me in the process of making it, questioning its taste. Once the message kicked in it overrode all objection. The piece demanded J.G. Thirlwell’s music, normally way too overtly expressive for me as most of my stuff comes out of painting and is also to be absorbed in silence. Who will even notice visual innovation now, or what’s happening with time? Determining a place between two and three dimensions, pushing time to take on substance, is what I do. Seeking the Monkey King is a reversion to my mid-twenties and that sense of horror that drove the making of Star Spangled to Death. (Ken Jacobs)

DEEP STATE
Brad Butler & Karen Mirza, UK, 2012, HD video, colour, sound, 44 min
The film takes its title from the Turkish term ‘Derin Devlet’, meaning ‘state within the state’. Although its existence is impossible to verify, this shadowy nexus of special interests and covert relationships is the place where real power is said to reside, and where fundamental decisions are made – decisions that often run counter to the outward impression of democracy. Amorphous and unseen, the influence of this deep state is glimpsed at regular points throughout the film – most clearly surfacing in its reflexive responses to popular protest, and in legislated acts of violence and containment, but also rumbling and reverberating, deeper down, in an eternally recurring call-and-response between rhetorical positions and counter-languages, in which a raised fist, a thrown rock, a crowd surge, an occupation, provoke a corresponding reaction in the form of a police charge, a baton attack, a pepper spray, assassinations. A powerful undertow in the ongoing tide of history, this push and pull of competing forces is deftly illuminated in a vivid montage of newly filmed and archive footage. Collided together, past, present and future trace a continuum in which the same repetitive patterns are played out. Against a backdrop of momentous, historically resonant demonstrations, an eternal rioter, or ‘riotonaut’, is picked out, as if by a searchlight, ever-present at each and every flashpoint. On a moonscape, confronted with a picket that becomes a riot, an ur-dictator, the personification of the ‘Deep State’, blurts stupefying, hot-air abstractions of neo-liberalism. Deep State is a film by Karen Mirza and Brad Butler that has been scripted in collaboration with author China Miéville. Commissioned by Film and Video Umbrella. Funded by Arts Council England and London Councils. (Karen Mirza & Brad Butler)
www.mirza-butler.net

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