{"id":704,"date":"2012-09-05T08:00:37","date_gmt":"2012-09-05T07:00:37","guid":{"rendered":"http:\/\/markwebber.org.uk\/experimenta\/?p=704"},"modified":"2012-09-05T13:12:18","modified_gmt":"2012-09-05T12:12:18","slug":"nathaniel-dorsky-jerome-hiler","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/experimenta\/2012\/09\/05\/nathaniel-dorsky-jerome-hiler\/","title":{"rendered":"Nathaniel Dorsky &#038; Jerome Hiler"},"content":{"rendered":"<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/?attachment_id=784\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-784\" title=\"Dorsky: April\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2012\/08\/Dorsky-April-1.jpg\" alt=\"\" width=\"435\" height=\"314\" srcset=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2012\/08\/Dorsky-April-1.jpg 435w, https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2012\/08\/Dorsky-April-1-300x216.jpg 300w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a><br \/><em><\/em><\/p>\n<p>Saturday 20 October 2012, at 2pm, NFT3<\/p>\n<p>While others bemoan the end of celluloid, Nathaniel Dorsky \u2013 whose work has become an annual highlight of the festival over the past decade \u2013 continues apace, more productive now than ever. His carefully considered practice has this year created works of great beauty from a period of sorrow. This screening of two new films will be complemented by rarely exhibited work by his companion Jerome Hiler.<\/p>\n<p><strong>August and After<\/strong><br \/>Nathaniel Dorsky | USA 2012 | 19 min<br \/>\u2018After a lifetime, two mutual friends, George Kuchar and Carla Liss, passed away during the same period of time.\u2019 (ND)<\/p>\n<p><strong>April<\/strong><br \/>Nathaniel Dorsky | USA 2012 | 26 min <br \/>\u2018Following a period of trauma and grief, the world around me once again declared itself in the form of one of the loveliest springs I can ever remember in San Francisco. <em>April<\/em> is intended as a companion piece for <em>August and After<\/em>, and is partly funded by a gift from Carla Liss.\u2019 (ND)<\/p>\n<p><strong>Words of Mercury<\/strong><br \/>Jerome Hiler | USA 2011 | 25 min<br \/>Jerome Hiler, who shares Dorsky\u2019s heightened sense of wonder at the world around him,<em> <\/em>builds sensuous layers of superimposition at the moment of shooting. A most private filmmaker, whose primary craft is the less transient medium of stained glass, he has until recently only shown his work as camera originals, thus limiting their public visibility. His inclusion in the latest Whitney Biennial prompted this first digital transfer.<\/p>\n<p><em>Mark Webber<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday 20 October 2012, at 2pm, NFT3 While others bemoan the end of celluloid, Nathaniel Dorsky \u2013 whose work has become an annual highlight of the festival over the past decade \u2013 continues apace, more productive now than ever. His carefully considered practice has this year created works of great beauty from a period of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[119],"tags":[120,147,121,27],"class_list":["post-704","post","type-post","status-publish","format-standard","hentry","category-2012-weekend","tag-120","tag-jerome-hiler","tag-lff-2012","tag-nathaniel-dorsky"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/comments?post=704"}],"version-history":[{"count":5,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/704\/revisions"}],"predecessor-version":[{"id":1005,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/704\/revisions\/1005"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/media?parent=704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/categories?post=704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/tags?post=704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}