{"id":604,"date":"2011-10-21T12:49:14","date_gmt":"2011-10-21T11:49:14","guid":{"rendered":"http:\/\/markwebber.org.uk\/experimenta\/?p=604"},"modified":"2012-02-06T22:14:09","modified_gmt":"2012-02-06T21:14:09","slug":"correspondence","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/","title":{"rendered":"Robert Gardner &#038; Correspondence"},"content":{"rendered":"<p>&#8220;Robert Fenz&#8217;s film <em>Correspondence<\/em> seems to me an original and quite fascinating way to bring to life the work of a fellow filmmaker while still maintaining the integrity of of his own work.&#8221;<\/p>\n<p style=\"text-align: left;\">Robert Gardner<br \/>\nCambridge, September 12, 2011<\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/fenz-correspondence-3\/\" rel=\"attachment wp-att-606\"><img loading=\"lazy\" decoding=\"async\" title=\"Robert Fenz: Correspondence\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-3.jpg\" alt=\"\" width=\"435\" height=\"326\" \/><\/a><\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/fenz-correspondence-1\/\" rel=\"attachment wp-att-608\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-608\" title=\"Robert Fenz: Correspondence\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-1.jpg\" alt=\"\" width=\"435\" height=\"326\" srcset=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-1.jpg 435w, https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-1-300x224.jpg 300w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/fenz-correspondence-5\/\" rel=\"attachment wp-att-607\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-607\" title=\"Robert Fenz: Correspondence\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-5.jpg\" alt=\"\" width=\"435\" height=\"326\" srcset=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-5.jpg 435w, https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-5-300x224.jpg 300w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/fenz-correspondence-2-2\/\" rel=\"attachment wp-att-609\"><img loading=\"lazy\" decoding=\"async\" title=\"Robert Fenz: Correspondence\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-2.jpg\" alt=\"\" width=\"435\" height=\"326\" \/><\/a><\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/10\/21\/correspondence\/fenz-correspondence-4\/\" rel=\"attachment wp-att-605\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-605\" title=\"Robert Fenz: Correspondence\" src=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-4.jpg\" alt=\"\" width=\"435\" height=\"326\" srcset=\"https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-4.jpg 435w, https:\/\/markwebber.org.uk\/experimenta\/wp-content\/uploads\/2011\/10\/Fenz-Correspondence-4-300x224.jpg 300w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a><\/p>\n<p><em>Correspondence<\/em> revisits the locations filmed by pioneering ethnographer Robert Gardner in his films <em>Dead Birds<\/em> (1964), <em>Rivers of Sand<\/em> (1974) and <em>Forest of Bliss <\/em>(1986). Following in the footsteps of the elder filmmaker by travelling to West Papua,\u00a0Ethiopia and India several decades later, Fenz&#8217;s new images capture a contempoary view of these sites and the project raises questions on a form of documentary filmmaking that is now in decline. <em>Correspondence <\/em>screens in the programme ON THE ROAD WITH ROBERT FENZ.<\/p>\n<p><a href=\"https:\/\/markwebber.org.uk\/experimenta\/2011\/08\/21\/on-the-road-with-robert-fenz\/\">Link to more info on ON THE ROAD WITH ROBERT FENZ here<\/a><\/p>\n<p>ON THE ROAD WITH ROBERT FENZ screenings :-<\/p>\n<p>Sunday 23 October 2011, at 9pm, BFI Southbank NFT3<br \/>\nMonday 24 October 2011, at 2pm, BFI Southbank NFT3<\/p>\n<p><a href=\"http:\/\/www.bfi.org.uk\/lff\/films\/experimenta\/1769\" target=\"_blank\">Link to book tickets for ON THE ROAD WITH ROBERT FENZ here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Robert Fenz&#8217;s film Correspondence seems to me an original and quite fascinating way to bring to life the work of a fellow filmmaker while still maintaining the integrity of of his own work.&#8221; Robert Gardner Cambridge, September 12, 2011 Correspondence revisits the locations filmed by pioneering ethnographer Robert Gardner in his films Dead Birds (1964), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-604","post","type-post","status-publish","format-standard","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/comments?post=604"}],"version-history":[{"count":5,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/604\/revisions"}],"predecessor-version":[{"id":652,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/posts\/604\/revisions\/652"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/media?parent=604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/categories?post=604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/experimenta\/wp-json\/wp\/v2\/tags?post=604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}