{"id":963,"date":"2006-12-08T11:00:34","date_gmt":"2006-12-08T11:00:34","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=963"},"modified":"2018-01-25T14:55:55","modified_gmt":"2018-01-25T14:55:55","slug":"discussion","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/08\/discussion\/","title":{"rendered":"Discussion: The Future of Expanded Cinema"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: DISCUSSION<br \/>\nFriday 8 December 2006, at 11am<br \/>\nStuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p><b>THE FUTURE OF EXPANDED CINEMA<\/b><\/p>\n<p>Guest artists and invited speakers will discuss issues related to the presentation and documentation of EXPANDED CINEMA works, addressing important questions concerning the conservation, presentation and study of this filmic performance art. EXPANDED CINEMA often demands the direct participation of the artist-creator, resisting re-enactment and reconstruction in their absence. Each projection is different, embracing chance and variation, and adapted to its exhibition environment, making it impossible to encapsulate a definitive performance. Given these conditions, how can such works be adequately recorded and studied outside of the live experience, whilst retaining the unique characteristics of this dynamic, ephemeral art form ?<\/p>\n<a onclick=\"wpex_toggle(1504528622, 'LIST OF PARTICIPANTS', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink1504528622\" href=\"#\">LIST OF PARTICIPANTS<\/a><div class=\"wpex_div\" id=\"wpex1504528622\" style=\"display: none;\"><\/p>\n<p>Mark Webber, curator, London<br \/>\nKatrin Mundt, W\u00fcrttembergischer Kunstverein, Stuttgart<br \/>\nIris Dressler, W\u00fcrttembergischer Kunstverein, Stuttgart<br \/>\nHans Christ, W\u00fcrttembergischer Kunstverein, Stuttgart<br \/>\nHans Dieter Huber, Staatliche Akademie der Bildenden K\u00fcnste, Stuttgart<br \/>\nGaby Schiefer, Staatliche Akademie der Bildenden K\u00fcnste, Stuttgart<br \/>\nPeter Zorn, Werkleitz-Zentrum f\u00fcr Medienkunst, Halle<br \/>\nMarcel Schwierin, Werkleitz-Zentrum f\u00fcr Medienkunst, Halle<br \/>\nEdwin Carels, MuHKA, Antwerp<br \/>\nInke Arns, HMKV, Dortmund<br \/>\nTina Bastajian, Dutch Film Museum, Amsterdam<br \/>\nBarbara Engelbach, Museum Ludwig, K\u00f6ln<br \/>\nAlice Koegel, ZKM, Karlsruhe<br \/>\nAnne Maria van Es, International Film Festival, Rotterdam<br \/>\nClaudia M\u00fcller-Hermann, Filmwinter, Stuttgart<br \/>\nTony Conrad, artist, Buffalo<br \/>\nBruce McClure, artist, New York<br \/>\nWilliam Raban, artist, London<br \/>\nKaren Mirza, artist, London<br \/>\nBrad Butler, artist, London<br \/>\nLuke Fowler, MAP Magazine, Glasgow<br \/>\nNoam Elcott, Princeton University, Princeton<br \/>\nSandra Naumann, curator, Berlin<br \/>\nJonnie Doebele, filmmaker, Stuttgart<br \/>\nFlorian H\u00e4rle, photographer, Stuttgart<br \/>\nAngela Matyssek, Kunstmuseum, Stuttgart<br \/>\nCornelia Lund, Fluctuating Images, Stuttgart<br \/>\nMalte Hagener, Friedrich-Schiller-Universit\u00e4t, Jena<br \/>\nTabea Lurk, Aktive Archive, HKB Bern<br \/>\nPierluigi Anselmi, photographer, Milan<br \/>\nYvonne Maxwell, filmmaker, London<br \/>\nRenee Sutherland, artist, London<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34],"class_list":["post-963","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=963"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/963\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}