{"id":953,"date":"2006-12-10T20:30:43","date_gmt":"2006-12-10T20:30:43","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=953"},"modified":"2018-01-25T14:55:54","modified_gmt":"2018-01-25T14:55:54","slug":"performance-tony-conrad","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/10\/performance-tony-conrad\/","title":{"rendered":"Performance: Tony Conrad"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA PERFORMANCE: TONY CONRAD<br \/>\nSunday 10 December 2006, at 8:30pm<br \/>\nStuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p>Tony Conrad presents two performances that propose alternative systems of film production and refer back to a sequence of interventionist works he made in the mid-1970s <em>Bowed Film<\/em> combines Conrad\u2019s interests in film and musical minimalism. For&nbsp;<em>Sukiyaki<\/em>, unexposed film strips are stir-fried in the traditional manner prior to their unique projection.<\/p>\n<p><b>Tony Conrad, Bowed Film, USA, 1974, 16mm performance, b\/w, sound, variable duration<br \/>\nTony Conrad, Sukiyaki, USA, 1973, 16mm performance, colour, sound, variable duration<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34,164],"class_list":["post-953","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart","tag-tony-conrad"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=953"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/953\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}