{"id":944,"date":"2006-12-08T20:30:19","date_gmt":"2006-12-08T20:30:19","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=944"},"modified":"2018-01-25T14:55:55","modified_gmt":"2018-01-25T14:55:55","slug":"performance-william-raban","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/08\/performance-william-raban\/","title":{"rendered":"Performance: William Raban"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA PERFORMANCE: WILLIAM RABAN<br \/>\nFriday 8 December 2006, at 8:30pm<br \/>\nStuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p>English artist William Raban is one of the leading practitioners of EXPANDED CINEMA, mixing the materialist aesthetic with time-lapse and observational documentary. The programme draws on key works from the 1970s, and features the world premiere of a new arrangement of <em>Wave Formations<\/em>.<\/p>\n<p><b>William Raban, Surface Tension, UK, 1976, 2 x 16mm, b\/w, sound, 15 min<br \/>\nWilliam Raban, Angles of Incidence, UK, 1973, 2 x 16mm, colour, silent, 10 min<br \/>\nWilliam Raban, Moonshine, UK, 1974, 2 x 16mm, colour, silent, 8 min<br \/>\nWilliam Raban, Diagonal, UK, 1973, 3 x 16mm, colour, sound, 5 min<br \/>\nWilliam Raban, Wave Formations, UK, 1977-2006, 5 x 16mm, colour, sound, 20 min<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34],"class_list":["post-944","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=944"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/944\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}