{"id":942,"date":"2006-12-10T19:00:47","date_gmt":"2006-12-10T19:00:47","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=942"},"modified":"2018-01-25T14:55:55","modified_gmt":"2018-01-25T14:55:55","slug":"expanded-screening-4","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/10\/expanded-screening-4\/","title":{"rendered":"Screening"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: SCREENING<br \/>\n<b>Sunday 10 December 2006, at 7pm<br \/>\n<\/b>Stuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p><b>Malcolm Le Grice, Castle One, UK, 1966, 16mm, b\/w, sound, 20 min<br \/>\n<\/b>One of the earliest expanded works, \u201cThe Light Bulb Film\u201d questions the role of the spectator in film viewing experience.<\/p>\n<p><b>Morgan Fisher, Projection Instructions, USA, 1976, 16mm, b\/w, sound, 4 min<br \/>\n<\/b>Every film must be performed by the projectionist. This one requires extra attention.<\/p>\n<p><b>Lis Rhodes, Light Music, UK, 1975-77, 2 x 16mm, b\/w, sound, 25 min, film environment<br \/>\n<\/b>A dynamic and interactive sound and light environment in which image and sound are inextricably linked.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34],"class_list":["post-942","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=942"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/942\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}