{"id":936,"date":"2006-12-09T19:00:30","date_gmt":"2006-12-09T19:00:30","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=936"},"modified":"2018-01-25T14:55:55","modified_gmt":"2018-01-25T14:55:55","slug":"expanded-screening-3","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/09\/expanded-screening-3\/","title":{"rendered":"Screening"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: SCREENING<br \/>\nSaturday 9 December 2006, at 7pm<br \/>\nStuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p><b>Paul Sharits, Razor Blades, USA, 1965-68, 2 x 16mm, colour, sound, 25 min<br \/>\n<\/b>\u201cBy opposing the eyes and ears against the mind, <i>Razor Blades<\/i> cuts deeply, both in our psychic and visceral bodies.\u201d<\/p>\n<p><b>Joost Rekveld, #5 (Variation 2), Netherlands, 1994, 3 x 16mm, colour, silent, 6 min<br \/>\n<\/b>A luminescent action painting of abstract light forms in kinetic motion.<\/p>\n<p><b>Carl Brown &amp; Michael Snow, Triage, Canada, 2004, 2 x 16mm, colour, sound, 30 min<br \/>\n<\/b>Each artist worked independently on one panel of a double screen \u2018exquisite corpse\u2019.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34],"class_list":["post-936","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=936"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/936\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}