{"id":924,"date":"2006-12-07T19:00:59","date_gmt":"2006-12-07T19:00:59","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=924"},"modified":"2018-01-25T14:55:56","modified_gmt":"2018-01-25T14:55:56","slug":"expanded-screening-1","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/12\/07\/expanded-screening-1\/","title":{"rendered":"Screening"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: SCREENING<br \/>\nThursday 7 December 2006, at 7pm<br \/>\nStuttgart W\u00fcrttembergischer Kunstverein<\/b><\/p>\n<p><b>Gill Eatherley, Pan Film, UK, 1972, 3 x 16mm, b\/w, silent, 8 min<br \/>\n<\/b>Representation of a personal space through visual counterpoint, and positive \/ negative shifts.<\/p>\n<p><b>Robert Morris, Gas Station, USA, 1969, <\/b><b>2 x 16mm, colour, sound, 34 min<br \/>\n<\/b><em>Gas Station<\/em> explores the lived experience of space and the fixed viewpoint of the camera.<\/p>\n<p><b>Sally Potter, Play, UK, 1971, <\/b><b>2 x 16mm, b\/w &amp; colour, silent, 7 min<br \/>\n<\/b>Seen from the filmmaker\u2019s window, the choreographic play of twin children is fractured into cinematic space.<\/p>\n<p><b>Karen Mirza &amp; Brad Butler, Where A Straight Line Meets A Curve, UK, 2003, <\/b><b>2 x 16mm, colour, sound, 30 min<br \/>\n<\/b>\u201cA durational sculpture, of real and imagined activity shot entirely in one room. It is a film concerned with the objective reduction of space, a film \u2018about\u2019 the recording and representation of space and the politics of the viewing space of film itself.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[33],"tags":[11,34],"class_list":["post-924","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2006","tag-expanded-cinema","tag-stuttgart"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=924"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/924\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}