{"id":912,"date":"2004-09-26T20:00:29","date_gmt":"2004-09-26T19:00:29","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=912"},"modified":"2018-01-25T14:58:28","modified_gmt":"2018-01-25T14:58:28","slug":"ten-years-alive","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/26\/ten-years-alive\/","title":{"rendered":"Ten Years Alive on the Infinite Plain"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: TEN YEARS ALIVE ON THE INFINITE PLAIN<br \/>\nSunday 26 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/b><\/p>\n<p><b>Tony Conrad, Ten Years Alive on the Infinite Plain, 1972, c.90 min, music performance in film loop environment<br \/>\n<\/b>Tony Conrad and guest musicians will perform a minimal drone composition for violin, bass and his unique long string instrument. A live concert performance within a shifting, multi-projection environment of rapid, flicker film loops, originally presented at The Kitchen (New York) in 1972.<\/p>\n<a onclick=\"wpex_toggle(1788978788, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink1788978788\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex1788978788\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: TEN YEARS ALIVE ON THE INFINITE PLAIN<br \/>\n<\/b>Sunday 26 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>TEN YEARS ALIVE ON THE INFINITE PLAIN<br \/>\nTony Conrad, USA, 1972, 16mm, b\/w, sound, c.90 min, music performance in film loop environment<\/b><\/p>\n<p><i>NB: Include musician credits.<\/i><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11,164],"class_list":["post-912","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema","tag-tony-conrad"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}