{"id":909,"date":"2004-09-26T17:00:37","date_gmt":"2004-09-26T16:00:37","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=909"},"modified":"2018-01-25T14:58:28","modified_gmt":"2018-01-25T14:58:28","slug":"doppelprojektionen","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/26\/doppelprojektionen\/","title":{"rendered":"Doppelprojektionen"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: DOPPELPROJEKTIONEN<br \/>\nSunday 26 September 2004, at 5pm<br \/>\nDortmund PhoenixHalle<\/b><\/p>\n<p><b>Wilhelm &amp; Birgit Hein, Doppelprojektionen I-V, 1971-72, 50 min, 2 screen film<i><br \/>\n<\/i><\/b>A formal experiment consisting of five movements in which the change of light fading between black and white is rhythmically varied into a complex succession of perceptual impulses. \u201cDouble projection offers the possibility of bringing movement out of the single frame, and of dissolving the solid frame of the image\u201d.<\/p>\n<a onclick=\"wpex_toggle(2140856855, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink2140856855\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex2140856855\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: DOPPELPROJEKTIONEN<br \/>\n<\/b>Sunday 26 September 2004, at 5pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>DOPPELPROJEKTIONEN I-V<br \/>\nWilhelm &amp; Birgit Hein, Germany, 1971-72, 16mm, b\/w, sound, 50 min, 2 screen film<\/b><\/p>\n<p><b>625<br \/>\nWilhelm &amp; Birgit Hein, Germany, 1971-72, <\/b><b>16mm, b\/w, sound, 35 min<i><br \/>\n<\/i><\/b><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-909","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/909\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}