{"id":906,"date":"2004-09-25T20:00:06","date_gmt":"2004-09-25T19:00:06","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=906"},"modified":"2018-01-25T14:58:28","modified_gmt":"2018-01-25T14:58:28","slug":"long-film","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/25\/long-film\/","title":{"rendered":"Long Film for Four Projectors"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: LONG FILM FOR FOUR PROJECTORS<br \/>\nSaturday 25 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/b><\/p>\n<p><strong>Anthony McCall, Long Film for Four Projectors, 1974, 360 min, 4 projector environment<\/strong><br \/>\n\u201cAn active field defined by four projected, flat, inter-penetrating blades of light that repeatedly sweep through their individual arcs of space and through one another. The six hour long film is in constant motion, composed of the shifting relationships between each of the four planes. If you are in the space, you are in the film, for you are surrounded by it.\u201d<\/p>\n<a onclick=\"wpex_toggle(1182616187, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink1182616187\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex1182616187\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: LONG FILM FOR FOUR PROJECTORS<br \/>\n<\/b>Saturday 25 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>LONG FILM FOR FOUR PROJECTORS<br \/>\nAnthony McCall, USA, 1974, 16mm, b\/w, silent, 360 min, 4 projector environment<br \/>\n<\/b><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-906","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=906"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/906\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}