{"id":903,"date":"2004-09-25T17:00:48","date_gmt":"2004-09-25T16:00:48","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=903"},"modified":"2018-01-25T14:58:28","modified_gmt":"2018-01-25T14:58:28","slug":"giovanni-martedi","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/25\/giovanni-martedi\/","title":{"rendered":"Giovanni Martedi"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: GIOVANNI MARTEDI<br \/>\nSaturday 25 September 2004, at 5pm<br \/>\nDortmund PhoenixHalle<\/b><\/p>\n<p>A partially improvised film &amp; light performance incorporating three rarely seen works from the 1970s. Martedi rejects the camera as the primary source to create filmic imagery and his live appearances foreground the primacy of projection. <i>M.D. et \u00a7<\/i> is an event for projector, single 16mm frame, mirror and electric drill.<\/p>\n<p><b>Giovanni Martedi, M.D. et \u00a7, 1978, c.4 min, projection performance<br \/>\n<\/b><i>and other works by Giovanni Martedi<br \/>\n<\/i><\/p>\n<a onclick=\"wpex_toggle(785030317, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink785030317\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex785030317\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: GIOVANNI MARTEDI<br \/>\n<\/b>Saturday 25 September 2004, at 5pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><strong>M.D. ET \u00a7<\/strong><br \/>\n<strong> Giovanni Martedi, France, 1978, 16mm, colour, sound, c.4 min, projection performance<\/strong><\/p>\n<p><strong>UNTITLED<\/strong><br \/>\n<strong> Giovanni Martedi, France, 2004, 16mm, colour, sound, c.5 min, projection performance<\/strong><\/p>\n<p><strong>UNTITLED<\/strong><br \/>\n<strong> Giovanni Martedi, France, 2004, 16mm, colour, sound, c.20 min, multiple projection<\/strong><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-903","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=903"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/903\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}