{"id":894,"date":"2004-09-24T20:00:54","date_gmt":"2004-09-24T19:00:54","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=894"},"modified":"2018-01-25T14:58:28","modified_gmt":"2018-01-25T14:58:28","slug":"film-environments","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/24\/film-environments\/","title":{"rendered":"Film Environments"},"content":{"rendered":"

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EXPANDED CINEMA: FILM ENVIRONMENTS
\nFriday 24 September 2004, at 8pm
\nDortmund PhoenixHalle<\/b><\/p>\n

Four Square <\/i>surrounds the audience with a quadrupled flicker film of solid colour frames. Light Music <\/i>is an environmental double projection as musical composition, exploiting the properties of the optical film soundtrack. (What you see is what you hear.) Anthony McCall\u2019s films are projected through a thin mist to give an apparently sculptural presence to a projected beam of light. In Doubling Back<\/i>, two identical, moving sine-waveforms, create a fluid, organic volume of light for the spectator to observe or be immersed within.<\/p>\n

Beverly & Tony Conrad, Four Square, 1971, 18 min, 4 screen environment
\nLis Rhodes, Light Music, 1975, 25 min, 2 screen environment
\nAnthony McCall, Doubling Back, 2003, 30 min, 1 screen environment
\n<\/b><\/p>\nRead more<\/a>

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EXPANDED CINEMA: FILM ENVIRONMENTS
\n<\/b>Friday 24 September 2004, at 8pm
\nDortmund PhoenixHalle<\/p>\n

FOUR SQUARE
\nBeverly & Tony Conrad, USA, 1971, 16mm, colour, sound, 18 min, 4 screen environment<\/b><\/p>\n

LIGHT MUSIC
\nLis Rhodes, UK, 1975, 16mm, b\/w, sound, 25 min, 2 screen environment<\/b><\/p>\n

DOUBLING BACK
\nAnthony McCall, USA, 2003, 16mm, b\/w, silent, 30 min, 1 screen environment
\n<\/b><\/p>\n

Back to top<\/a><\/p>\n

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Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11,164],"class_list":["post-894","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema","tag-tony-conrad"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=894"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/894\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}