{"id":886,"date":"2004-09-18T20:00:49","date_gmt":"2004-09-18T19:00:49","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=886"},"modified":"2018-01-25T14:58:29","modified_gmt":"2018-01-25T14:58:29","slug":"soma","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/18\/soma\/","title":{"rendered":"Soma"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: SOMA<br \/>\nSaturday 18 September 2004, at 8pm<br \/>\nDortmund <\/b><b>PhoenixHalle<\/b><b><\/b><\/p>\n<p><b>Maria Klonaris &amp; Katerina Thomadaki, Soma, 1978, c.50 min, film &amp; slide performance<br \/>\n<\/b>A subversively erotic work for Super-8 and slide projection, which takes a radical approach to female sexuality and self-representation, and explodes the screen with shards of light. \u201cThe resonance of the image of the female body, in the mind and in the senses, its diffuse erogeneity, forms a pivotal theme in<i> Soma<\/i>.\u201d<\/p>\n<a onclick=\"wpex_toggle(1543500281, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink1543500281\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex1543500281\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: SOMA<br \/>\n<\/b>Saturday 18 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>SOMA<br \/>\n<\/b><b>Maria Klonaris &amp; Katerina Thomadaki, France, 1978, <\/b><b>16mm, colour, sound, <\/b><b>c.50 min, film &amp; slide performance<\/b><\/p>\n<p>A subversively erotic work for Super-8 and slide projection, which takes a radical approach to female sexuality and self-representation, and explodes the screen with shards of light. \u201cThe resonance of the image of the female body, in the mind and in the senses, its diffuse erogeneity.<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-886","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=886"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/886\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}