{"id":881,"date":"2004-09-18T18:00:48","date_gmt":"2004-09-18T17:00:48","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=881"},"modified":"2018-01-25T14:58:29","modified_gmt":"2018-01-25T14:58:29","slug":"double-trouble","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/18\/double-trouble\/","title":{"rendered":"Double Trouble"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: DOUBLE TROUBLE<br \/>\nSaturday 18 September 2004, at 6pm<br \/>\nDortmund <\/b><b>PhoenixHalle<\/b><b><\/b><\/p>\n<p>Kaleidoscopic double screen films from the psychedelic 60s. <i>Maja Replicate <\/i>is an impulsive, vibrant collage created on the film-printer. The tumult of colourful imagery in <i>Third Eye Butterfly<\/i> directs us towards cosmic enlightenment, whilst Barbara Rubin\u2019s film is an uninhibited exploration of sexual freedom. The libidinous activities of two couples are projected in superimposition through vivid colour filters.<b><\/b><\/p>\n<p><b>Fred Drummond, Maja Replicate, 1969, 15 min, 2 screen film<br \/>\nStorm de Hirsch, Third Eye Butterfly, 1968, 10 min, 2 screen film<br \/>\nBarbara Rubin, Christmas on Earth, 1963, 29 min, 2 screen projection performance<\/b><\/p>\n<p><b><\/b><a onclick=\"wpex_toggle(1799977313, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink1799977313\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex1799977313\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: DOUBLE TROUBLE<br \/>\n<\/b>Saturday 18 September 2004, at 6pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>MAJA REPLICATE<br \/>\nFred Drummond, Maja Replicate, UK, 1969, <\/b><b>16mm, <\/b><b>colour, silent, 15 min<\/b><b>, 2 screen film<\/b><\/p>\n<p><b>THIRD EYE BUTTERFLY<br \/>\nStorm de Hirsch, Third Eye Butterfly, USA, 1968, <\/b><b>16mm, <\/b><b>colour, sound, 10 min<\/b><b>, 2 screen film<\/b><\/p>\n<p><b>CHRISTMAS ON EARTH<br \/>\nBarbara Rubin, Christmas on Earth, USA, 1963, 16mm, colour, sound-on-tape, 29 min, 2 screen projection performance <\/b><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-881","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=881"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/881\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}