{"id":872,"date":"2004-09-17T20:00:25","date_gmt":"2004-09-17T19:00:25","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=872"},"modified":"2018-01-25T14:58:29","modified_gmt":"2018-01-25T14:58:29","slug":"the-chelsea-girls","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/17\/the-chelsea-girls\/","title":{"rendered":"The Chelsea Girls"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>EXPANDED CINEMA: THE CHELSEA GIRLS<br \/>\nFriday 17 September 2004, at 8pm<br \/>\nDortmund <\/b><b>PhoenixHalle<\/b><\/p>\n<p><b>Andy Warhol, The Chelsea Girls, 1966, 210 min, 2 screen films<br \/>\n<\/b>Warhol\u2019s magnum opus brought the avant-garde into commercial movie theatres. Twin screen projection depicts simultaneous events indifferent rooms of the Chelsea Hotel, playing psychological situations against each other. Factory Superstars including \u2018Pope\u2019 Ondine, Brigid Polk, Mary Woronov and Gerard Malanga give extraordinary performances in a fascinating observation of New York\u2019s subculture. Sex, drugs and divinity, with exclusive music by The Velvet Underground.<\/p>\n<a onclick=\"wpex_toggle(2047121732, 'Read more', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink2047121732\" href=\"#\">Read more<\/a><div class=\"wpex_div\" id=\"wpex2047121732\" style=\"display: none;\"><\/p>\n<p><b>EXPANDED CINEMA: THE CHELSEA GIRLS<br \/>\n<\/b>Friday 17 September 2004, at 8pm<br \/>\nDortmund PhoenixHalle<\/p>\n<p><b>THE CHELSEA GIRLS<br \/>\nAndy Warhol, USA, 1966, <\/b><b>16mm, b\/w &amp; colour, sound, 210 min, 2 screen film<\/b><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-872","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}