{"id":865,"date":"2004-09-11T20:00:22","date_gmt":"2004-09-11T19:00:22","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=865"},"modified":"2018-01-25T14:58:57","modified_gmt":"2018-01-25T14:58:57","slug":"crib-and-sift","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/11\/crib-and-sift\/","title":{"rendered":"Crib & Sift"},"content":{"rendered":"

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EXPANDED CINEMA: CRIB & SIFT
\nSaturday 11 September 2004, at 8pm
\nDortmund PhoenixHalle<\/b><\/p>\n

Bruce McClure, Crib & Sift, 2001-04, c.90 min, projection performance with adapted projectors
\n<\/b>Bruce McClure’s light performances are constructed on the screen using 2 or 4 specially modified projectors.  His work \u201cactivates cinematic potential, omitting the artistic error of the camera eye, favouring the fugitive chiaroscuro in the automatic theatre of the brain\u2019s emulsion. The programme will manifest the projector as the primary utensil in an enfilade of scotopic visions requisitioned and apportioned according to its rotary on-off swing.\u201d<\/p>\n

Bruce McClure, Crossfades, 2003, 13 min, 3 projector performance
\nBruce McClure, Circle Jerks, 2002, 16 min, 4 projector performance
\nBruce McClure, Presepio, 2003, 16 min, 4 projector performance
\nBruce McClure, You Know My Methods, 2003, 15 min, 2 projector performance
\nBruce McClure, Double Incident, 2004. 15 min, 4 projector performance<\/b><\/p>\nRead more<\/a>

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EXPANDED CINEMA: CRIB & SIFT
\n<\/b>Saturday 11 September 2004, at 8pm
\nDortmund PhoenixHalle<\/p>\n

CRIB & SIFT
\nBruce McClure, USA, 2001-04, 16mm, colour, sound & silent, c.90 min, projection performance with adapted projectors<\/b><\/p>\n

Bruce McClure’s light performances are constructed on the screen using 2 or 4 specially modified projectors.  His work \u201cactivates cinematic potential, omitting the artistic error of the camera eye, favouring the fugitive chiaroscuro in the automatic theatre of the brain\u2019s emulsion. The programme will manifest the projector as the primary utensil in an enfilade of scotopic visions requisitioned and apportioned according to it’s rotary on-off swing.<\/p>\n

CROSSFADES
\nBruce McClure, USA, 2003, 16mm, colour, silent, 13 min, 3 projector performance<\/b><\/p>\n

CIRCLE JERKS
\nBruce McClure, USA, 2002, 16mm, colour, sound, 16 min, 4 projector performance<\/b><\/p>\n

PRESEPIO
\nBruce McClure, USA, 2003, 16mm, colour, silent, 16 min, 4 projector performance<\/b><\/p>\n

YOU KNOW MY METHODS
\nBruce McClure, USA, 2003, 16mm, colour, sound, 15 min, 2 projector performance<\/b><\/p>\n

DOUBLE INCIDENT
\nBruce McClure, USA, 2004, 16mm, colour, sound, 15 min, 4 projector performance <\/b><\/p>\n

Back to top<\/a><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-865","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=865"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/865\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}