{"id":825,"date":"2004-09-11T15:00:22","date_gmt":"2004-09-11T14:00:22","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=825"},"modified":"2018-01-25T14:58:57","modified_gmt":"2018-01-25T14:58:57","slug":"ride-the-light","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/11\/ride-the-light\/","title":{"rendered":"Ride the Light"},"content":{"rendered":"

<\/a><\/p>\n

ngg_shortcode_0_placeholder<\/p>\n

EXPANDED CINEMA: RIDE THE LIGHT
\nSaturday 11 September 2004, at 3pm
\nDortmund PhoenixHalle<\/b><\/p>\n

Recoder & Gibson, Ride the Light, 2004, c.60 min, multi-projection performance
\n<\/b>Working individually and in collaboration as presstapes<\/i>, Luis Recoder and Sandra Gibson explore the canvas of the filmstrip with the medium of light, manipulating both exposure and projection. For part of this performance, a regular power switch will be used to manually flicker, strobe, and flash forth a unique cinematic phenomenon.<\/p>\n

Recoder & Gibson, Fourfold, 2001-04, c.7 min, 4 projector performance
\nRecoder & Gibson, Color Test, 2003, 5 min, 3 projector performance
\nRecoder & Gibson, Override, 2004, c.9 min, 2 projector performance
\nRecoder & Gibson, Ribbon, 2003, 6 min, 4 projector performance
\nRecoder & Gibson, Alignments for Linea, 2002-04, c.19 min, 2 projector performance<\/b><\/p>\nRead more<\/a>

<\/p>\n

EXPANDED CINEMA: RIDE THE LIGHT<\/b>
\nSaturday 11 September 2004, at 3pm
\nDortmund PhoenixHalle<\/p>\n

RIDE THE LIGHT
\nLuis Recoder & Sandra Gibson, USA, 2004, 16mm, colour, sound, c.60 min, multi-projection performance<\/b><\/p>\n

ride the light<\/i> is a program of live events for the multiplicity of film projection. the doubling, tripling, and sometimes quadrupling up of screens \u2013 in short, the dispersal of cinema<\/i> \u2013 fragments the always already fragmented and in essence, redistributes the temporal distribution of temporality,<\/p>\n

the doubling-up of the mechanical-spectacular releases our time machine from the bond of a manufactured \u2018ticking away\u2019. the sequential beat of the frame-work (of frame-upon-frame) is followed by the doppelganger to be reproduced not as reproduction of the same thing but as re-production of the dissimilar in simulation<\/i>.<\/p>\n

when twos, threes and fours converge there emerges a ricochet, a shimmer, a ghost. it is this ghosting that cinema pursues with its \u2018persistence of vision\u2019 only to erase it from vision \u2013 by thickening the still succession, the frame-work in what is called eidetics<\/i>. ride the light<\/i> broadens the network of streaks, raises the erasures, re-visions for cinema its indigenous persist-stance<\/i>.<\/p>\n

FOURFOLD
\nLuis Recoder & Sandra Gibson, USA, 2001-04, 16mm, colour, sound, c.7 min, 4 projector performance<\/b><\/p>\n

COLOR TEST
\nLuis Recoder & Sandra Gibson, USA, 2003, 16mm, colour, sound, 5 min, 3 projector performance<\/p>\n

OVERRIDE
\nLuis Recoder & Sandra Gibson, USA, 2004, 16mm, colour, sound, c.9 min, 2 projector performance<\/p>\n

RIBBON
\nLuis Recoder & Sandra Gibson, USA, 2003, 16mm, colour, sound, 6 min, 4 projector performance<\/p>\n

ALIGNMENTS FOR LINEA
\nLuis Recoder & Sandra Gibson, USA, 2002-04, 16mm, colour, sound, c.19 min, 2 projector performance<\/p>\n

Back to top<\/a><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-825","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=825"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/825\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}