{"id":819,"date":"2004-09-10T20:00:23","date_gmt":"2004-09-10T19:00:23","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=819"},"modified":"2018-01-25T14:58:57","modified_gmt":"2018-01-25T14:58:57","slug":"opening-night","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/09\/10\/opening-night\/","title":{"rendered":"Opening Night"},"content":{"rendered":"

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EXPANDED CINEMA: OPENING NIGHT
\nFriday 10 September 2004, at 8pm
\nDortmund PhoenixHalle<\/b><\/p>\n

Werner Nekes, Schnitte f\u00fcr ABABA, 1967, 11 min, mobile projection
\n<\/b>A metrically edited film which animates nature and buildings through rapid changes in light. According to its original instructions, the film will projected outdoors onto the surrounding environment.<\/p>\n

Malcolm Le Grice, Matrix, 1973, 18 min, 6 projector performance
\nMalcolm Le Grice, Blue Field Duration, 1972, 8 min, 2 screen film
\nMalcolm Le Grice, Threshold, 1972, 17 min, 3 projector performance
\nMalcolm Le Grice, Horror Film I, 1971, c.15 min, 3 projectors & live performance
\n<\/b>As one of the core members of the London Film-Makers\u2019 Co-operative, Le Grice established the idea that printing processing and projection were essential creative elements of filmmaking. His colour field films of the early 70s use rich, dynamic hues, which complement and contrast each other as the projectors are moved in predetermined sequences, creating constantly varied, durational \u2018screen structures\u2019.<\/p>\n

J\u00fcrgen Reble & Thomas K\u00f6ner, Alchemie, 1992, c.60 min, alchemical sound & film performance
\n<\/b>By directly applying chemicals to the emulsion of a prepared film loop, Reble progressively decomposes and modifies the image, whilst K\u00f6ner creates an electronic, aural counterpart using ambient sound. As the performance progresses, the elements are transformed into an abstract, iridescent unity.<\/p>\nRead more<\/a>

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EXPANDED CINEMA: OPENING NIGHT<\/b>
\nFriday 10 September 2004, at 8pm
\nDortmund PhoenixHalle<\/p>\n

SCHNITTE F\u00dcR ABABA
\nWerner Nekes, Germany, 1967, 16mm, colour, sound, 11 min, mobile projection<\/b><\/p>\n

MATRIX
\nMalcolm Le Grice, UK, 1973, 16mm, <\/b>colour, sound-on-tape, 18 min, 6 projector performance<\/b><\/p>\n

BLUE FIELD DURATION<\/strong>
\nMalcolm Le Grice, UK, 1972, 16mm, colour, sound, 8 min, 2 screen film<\/strong><\/p>\n

THRESHOLD<\/strong>
\nMalcolm Le Grice, UK, 1972, 16mm, colour, sound, 17 min, 3 projector performance<\/strong><\/p>\n

HORROR FILM<\/strong>
\nMalcolm Le Grice, UK, 1971, 16mm, colour, sound-on-tape, c.15 min, 3 projectors & live performance<\/strong><\/p>\n

ALCHEMIE
\nJ\u00fcrgen Reble & Thomas K\u00f6ner, Germany, 1992, 16mm, colour, sound, c.60 min, alchemical sound & film performance<\/b><\/p>\n

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\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[31],"tags":[32,11],"class_list":["post-819","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema-2004","tag-dortmund","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=819"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/819\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}