ngg_shortcode_0_placeholder<\/p>\n
THE SHADOW OF THE FACTORY Programme of short films featuring Andy Warhol, the Velvet Underground and others from the silver Factory and New York arts community.<\/p>\n Jack Smith, Scotch Tape, 1959-62, USA, colour, sound, 2 min<\/strong> Piero Heliczer, The Soap Opera, c.1964, USA, b\/w, silent, 13 min<\/strong> Jonas Mekas, Award Presentation To Andy Warhol, 1964, USA, b\/w, sound, 12 min<\/strong> Andrew Meyer, Match Girl, 1966, USA, b\/w & colour, sound, 26 min<\/strong> Keewatin Dewdney, Malanga, 1967, Canada, b\/w, sound, 3 min<\/strong> Ron Nameth, Warhol’s E.P.I., 1967, USA, colour, sound, 22 min<\/strong> Stephen Shore & Gerard Malanga, Frozen Warnings, 1990, USA, b\/w, sound, 4 min (videotape)<\/strong> Part of the Soundtracking festival at Sheffield Showroom.<\/p>\n","protected":false},"excerpt":{"rendered":" In his search for a \u2018polyvalent\u2019 mode of filmmaking, Nathaniel Dorsky has developed a filmic language which is intrinsic and unique to the medium, and expressive of human emotion. Seeking wonder not only in nature but in the everyday interaction between people in the metropolitan environment, Dorsky observes the world around him. Free of narrative or theme, his films transcend daily reality and open a space for introspective thought. <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[160],"tags":[],"class_list":["post-6096","post","type-post","status-publish","format-standard","hentry","category-soundtracking-2000"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/6096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=6096"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/6096\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=6096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=6096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=6096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Sunday 26 October 2000, at 9pm
\nSheffield Showroom
\n<\/strong><\/p>\n
\nJack Smith’s first film, shot in a rubbish dumb, music assembled by Tony Conrad<\/em><\/p>\n
\nEvocative document of the Lower East Side artists includes Angus MacLise, Tony Conrad, La Monte Young, Marian Zazeela, John Cale and others<\/em><\/p>\n
\nJonas Mekas presents the Film Culture award to Warhol and his Factory gang<\/em><\/p>\n
\nShot in the Factory and including some original Warhol Screen Tests<\/em><\/p>\n
\nStroboscopic cuts between Malanga reading poetry and dancing to the Velvet Underground<\/em><\/p>\n
\nKinetic film of the Exploding Plastic Inevitable concerts, with Velvet Underground soundtrack<\/em><\/p>\n
\nPromotional video for the reissue of the Nico \u201cMarble Index\u201d CD<\/em><\/p>\n