ngg_shortcode_0_placeholder<\/p>\n
TAKE IT TO THE LIMIT: THE NOISE OF CINEMA Experimental and easy music played by DJ’s Mark Webber and Gregory Kurcewicz plus informal screenings of film with experimental music and noise soundtracks.<\/p>\n Takahiko Iimura, Shutter, 1971, USA, b\/w, sound, 25 min<\/strong> Part of the Soundtracking festival at Sheffield Showroom.<\/p>\n","protected":false},"excerpt":{"rendered":" In his search for a \u2018polyvalent\u2019 mode of filmmaking, Nathaniel Dorsky has developed a filmic language which is intrinsic and unique to the medium, and expressive of human emotion. Seeking wonder not only in nature but in the everyday interaction between people in the metropolitan environment, Dorsky observes the world around him. Free of narrative or theme, his films transcend daily reality and open a space for introspective thought. <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[160],"tags":[],"class_list":["post-6094","post","type-post","status-publish","format-standard","hentry","category-soundtracking-2000"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/6094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=6094"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/6094\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=6094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=6094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=6094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Saturday 25 October 2000, at 9pm
\nSheffield Showroom
\n<\/strong><\/p>\n
\nGuy Sherwin, Soundtrack, 1977, UK, b\/w, sound, 9 min<\/strong>
\nJohn Latham, Speak, 1968-69, UK, colour, sound, 11 min<\/strong>
\nPeter Gidal, Focus, 1971, UK, b\/w, sound, 10 min<\/strong>
\nStan Brakhage, Desistfilm, 1954, USA, b\/w, sound, 7 min<\/strong>
\nPaul Sharits, Ray Gun Virus, 1966, USA, colour, sound, 14 min<\/strong>
\nKenneth Anger, Invocation of My Demon Brother, 1969, USA, colour, sound, 12 min<\/strong>
\nErnie Gehr, Reverberation, 1969, USA, b\/w, sound-on-tape, 23 min (16fps)<\/strong>
\nStandish Lawder, Raindance, 1970, USA, colour, sound, 16 min<\/strong>
\nBruce Conner, Crossroads, USA, 1976, USA, b\/w, sound, 36 min<\/strong><\/p>\n