ngg_shortcode_0_placeholder<\/p>\n
INTRODUCTION TO PETER GIDAL 3 Introduced by Mark Webber<\/p>\n From C\/O\/N\/S\/T\/R\/U\/C\/T<\/em>, shown in Knokke, to the diptych Coda I<\/em> + Coda II<\/em> in 2013, in which the filmmaker uses a recording of the voice of William Burroughs, we get an overview of Gidals structural\/materialist cinema, that refuses a \u2018subject-centred image\u2019 and is resolutely \u2018anti-voyeuristic\u2019. As for Assumption,<\/em> it offers an approach to life at the London Film-Makers\u2019 Co-op which goes beyond the history of an organisation and includes a tribute to Mary P. Leece, founder of the Four Corners film workshop. \u2014Olivier Dekegel<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Peter Gidal, Assumption, 1997, 1 min<\/strong> Screening repeats Monday 10 October, at 6pm<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" INTRODUCTION TO PETER GIDAL 3 Sunday 9 October 2016, at 4pm Brussels Cinematek Introduced by Mark Webber From C\/O\/N\/S\/T\/R\/U\/C\/T, shown in Knokke, to the diptych Coda I + Coda II in 2013, in which the filmmaker uses a recording of the voice of William Burroughs, we get an overview of Gidals structural\/materialist cinema, that refuses a \u2018subject-centred image\u2019 and is […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[157],"tags":[],"class_list":["post-5975","post","type-post","status-publish","format-standard","hentry","category-peter-gidal-flare-out"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5975"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5975\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Sunday 9 October 2016, at 4pm<\/strong>
\n Brussels Cinematek
\n<\/strong><\/p>\n
\nPeter Gidal, Epilogue, 1978, 9 min<\/strong>
\nPeter Gidal, C\/O\/N\/S\/T\/R\/U\/C\/T, 1974\/2016, 13 min<\/strong>
\nPeter Gidal, Condition of Illusion, 1975, 30 min<\/strong>
\nPeter Gidal, Coda I, 2013, 2 min<\/strong>
\nPeter Gidal, Coda II, 2013, 2 min<\/strong><\/p>\n