ngg_shortcode_0_placeholder<\/p>\n
SHOOT SHOOT SHOOT An afternoon of screenings celebrating the first decade of the London Film-Makers\u2019 Co-operative (1966\u201376), the predecessor of LUX. The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process. Many explored the material aspects of celluloid, whilst others experimented with multiple projection and performance-based \u2018expanded cinema\u2019. Despite the physical hardship of its survival, this artist-led organisation asserted the significance of British work internationally, and anticipated today\u2019s vibrant culture of artists\u2019 moving image. The early history of the LFMC will be documented in a display of films and ephemera in the Archive Gallery at Tate Britain (25 April to 17 July 2016), and a book will be published by LUX this autumn.<\/p>\n 3pm<\/em> 5pm<\/em> Curated and presented by Mark Webber. <\/p>\n","protected":false},"excerpt":{"rendered":" SHOOT SHOOT SHOOT Sunday 10 April 2016, at 3pm St. Ives Porthmeor Studios An afternoon of screenings celebrating the first decade of the London Film-Makers\u2019 Co-operative (1966\u201376), the predecessor of LUX. The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[159],"tags":[118],"class_list":["post-5959","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2016","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5959"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5959\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSunday 10 April 2016, at 3pm
\nSt. Ives Porthmeor Studios<\/strong><\/p>\n
\n Guy Sherwin, At The Academy, 1974, 5 min<\/strong>
\n Marilyn Halford, Footsteps, 1974, 6 min<\/strong>
\n Peter Gidal, Key, 1968, 10 min<\/strong>
\n Annabel Nicolson, Slides, 1970, 12 min (18fps)<\/strong>
\n Malcolm Le Grice, Berlin Horse, 1970, 8 min<\/strong>
\n Lis Rhodes, Dresden Dynamo, 1974, 5 min<\/strong>
\n Chris Garratt, Romantic Italy, 1975, 8 min<\/strong>
\n John Smith, Associations, 1975, 7 min<\/strong><\/p>\n
\n William Raban & Chris Welsby, River Yar, 1971\u201372, 35 min (double screen projection)<\/strong><\/p>\n