{"id":5778,"date":"2014-11-24T19:30:02","date_gmt":"2014-11-24T19:30:02","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5778"},"modified":"2018-01-26T11:43:21","modified_gmt":"2018-01-26T11:43:21","slug":"markopoulos-vienna-10","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2014\/11\/24\/markopoulos-vienna-10\/","title":{"rendered":"Portraits"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>PORTRAITS<br \/>\nMonday 24 November 2014, at 6pm<br \/>\nVienna Austrian Filmmuseum<\/strong><\/p>\n<p>In the presence of Robert Beavers<\/p>\n<p><strong>Gregory J. Markopoulos, Political Portraits 1969, 15<span lang=\"DE\">&nbsp;min (excerpt<\/span><span lang=\"DE\">)<br \/>\nGregory J. Markopoulos, Index \u2013 Hans Richter, 1969, 23 min<br \/>\nGregory J. Markopoulos, Moment, 1970, 6 min<br \/>\nGregory J. Markopoulos, Saine Acteaon, 1971, 9 min<\/span><\/strong><\/p>\n<p>Es gibt in der Filmgeschichte einen eigenen und auf singul\u00e4re Art leuchtenden Erdteil von Portr\u00e4tfilmen. Es sind jene von Gregory J. Markopoulos. Sie wetterleuchten in ihrem durch sich selbst etablierten Dunkel. Sie flackern in Intervallen, und ihr Flickern erzeugt daraus Reime aus Zeit. Sie setzen eine Nacht aus Bildlosigkeit und setzen in ihre Schw\u00e4rze Bilder wie vereinzelt aufbl\u00fchende oder in Schw\u00e4rmen regnende Sternschnuppen. Sie erfinden den Ton-Film neu, weil sie den Filmen den Ton entziehen, um ihn dann abrupt in Form ungeheurer Blitzangriffe aus Musik oder Ger\u00e4usch einbrechen und schon wieder in Absenz verschwinden zu lassen \u2013 wodurch das Stumme der Filme sich dann in die ma\u00dflose Macht von Stille und Schweigen verwandelt sieht. (Harry Tomicek)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PORTRAITS Monday 24 November 2014, at 6pm Vienna Austrian Filmmuseum In the presence of Robert Beavers Gregory J. Markopoulos, Political Portraits 1969, 15&nbsp;min (excerpt) Gregory J. Markopoulos, Index \u2013 Hans Richter, 1969, 23 min Gregory J. Markopoulos, Moment, 1970, 6 min Gregory J. Markopoulos, Saine Acteaon, 1971, 9 min Es gibt in der Filmgeschichte einen [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[158],"tags":[136],"class_list":["post-5778","post","type-post","status-publish","format-standard","hentry","category-gregory-markopoulos-film-as-film","tag-gregory-markopoulos"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5778"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5778\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}