{"id":5769,"date":"2014-11-23T20:30:02","date_gmt":"2014-11-23T20:30:02","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5769"},"modified":"2018-01-26T11:43:21","modified_gmt":"2018-01-26T11:43:21","slug":"markopoulos-vienna-8","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2014\/11\/23\/markopoulos-vienna-8\/","title":{"rendered":"Eros, o Basileus \/ Himself as Herself"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>EROS, O BASILEUS \/ HIMSELF AS HERSELF<br \/>\nSunday 23 November 2014, at 8:30pm<br \/>\nVienna Austrian Filmmuseum<\/strong><\/p>\n<p>In the presence of Robert Beavers<\/p>\n<p><strong>Gregory J. Markopoulos, Eros o Basileus<span lang=\"DE\">, 1966, 49 min<\/span><span lang=\"DE\"><br \/>\nGregory J. Markopoulos,&nbsp;Himself as Herself, 1967, 60 min<\/span><\/strong><\/p>\n<p>Oh, Eros, ohnm\u00e4chtig-machtvoller K\u00f6nig von&nbsp;<em>body and soul<\/em>. Eros des Blicks, der ein Portr\u00e4t in ein Poem und einen \u201eSpielfilm\u201d in ein Labyrinth zu verwandeln wei\u00df. Zwei Filme, mit denen M. sich noch mehr Feinde macht, als er schon je hatte. Die hingegossenen plastischen J\u00fcnglinge, das Caravaggio-Chiaroscuro, die am Manierismus geschulte Verpr\u00e4chtigung von Pose und Bild und die Dominanz der dem Zeitgeist spottenden&nbsp;<em>bellezza<\/em>&nbsp;eines Films hat nicht wenige in den Sixties den Kopf sch\u00fctteln lassen. Und sie blind gemacht f\u00fcr das, was M. an radikaler filmischer Sprache erschaffen und ausgelotet hat. Das \u201eAuge\u201d einer Einstellung durch&nbsp;<em>fade-outs<\/em>gleichsam bebend zu schlie\u00dfen und wieder zu \u00f6ffnen. Einen Mann und eine von ihm separierte Frau durch rasende Montage erst in ein sich umarmendes Paar, dann in eine zwischen den Geschlechtern hin und her fegende, konvulsivische Person zu verzaubern. Im Film durch Film. (Harry Tomicek)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EROS, O BASILEUS \/ HIMSELF AS HERSELF Sunday 23 November 2014, at 8:30pm Vienna Austrian Filmmuseum In the presence of Robert Beavers Gregory J. Markopoulos, Eros o Basileus, 1966, 49 min Gregory J. Markopoulos,&nbsp;Himself as Herself, 1967, 60 min Oh, Eros, ohnm\u00e4chtig-machtvoller K\u00f6nig von&nbsp;body and soul. Eros des Blicks, der ein Portr\u00e4t in ein Poem [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[158],"tags":[136],"class_list":["post-5769","post","type-post","status-publish","format-standard","hentry","category-gregory-markopoulos-film-as-film","tag-gregory-markopoulos"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5769"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5769\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}