{"id":5767,"date":"2014-11-22T18:45:02","date_gmt":"2014-11-22T18:45:02","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5767"},"modified":"2018-01-26T11:43:21","modified_gmt":"2018-01-26T11:43:21","slug":"markopoulos-vienna-7","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2014\/11\/22\/markopoulos-vienna-7\/","title":{"rendered":"Sorrows \/ The Mysteries"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>SORROWS \/ THE MYSTERIES<br \/>\nSaturday 22 November 2014, at 6:45pm<br \/>\nVienna Austrian Filmmuseum<\/strong><\/p>\n<p>In the presence of Robert Beavers<\/p>\n<p><strong>Gregory J. Markopoulos,&nbsp;<span lang=\"DE\">Sorrows, 1969, 6 min<\/span><span lang=\"DE\"><br \/>\nGregory J. Markopoulos,&nbsp;The Mysteries, 1968, 64 min<\/span><\/strong><\/p>\n<p>Gregory J. Markopoulos in Europa. Einmal der pulsende Portr\u00e4t-Kubismus eines Ortes (Richard Wagners Villa in Tribschen). Dann ein narratives Mystery-Passion-Play (im byzantinischen Schwarz-Gold der Villa Stuck und an den statuenbestandenen Gestaden der Isar). In&nbsp;<em>Sorrows&nbsp;<\/em>formen L\u00e4ngen, K\u00fcrzen und K\u00fcrzest-K\u00fcrzen von&nbsp;<em>black leader<\/em>&nbsp;und aufzuckende&nbsp;<em>single frames<\/em>&nbsp;einen Veitstanz einander durchdringender, auseinander-hagelnder und ineinander-st\u00fcrzender Bilder: Geburt einer Zeit-Orchestrierung, Zeit-Choreographie, Zeit-Musik aus Nicht-Bildern und Bildern. Film: Zeit-Gedicht f\u00fcr die Majest\u00e4t des Auges.&nbsp;<em>The Mysteries<\/em>&nbsp;erforscht (wie&nbsp;<em>Swain)&nbsp;<\/em>das R\u00e4tsel der im Augenblick verschlossenen F\u00fclle. Man sieht einen Menschen, ein Ding \u2013 und sieht, vielmehr ahnt darin die Welt und alles, was man in ihr und in sich je gesehen hat. Gregory J. Markopoulos: Form-Verwandler, Zeit-Kreator.&nbsp;<em>One particle of time contains trillions of imprisoned images.&nbsp;<\/em>(Harry Tomicek)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SORROWS \/ THE MYSTERIES Saturday 22 November 2014, at 6:45pm Vienna Austrian Filmmuseum In the presence of Robert Beavers Gregory J. Markopoulos,&nbsp;Sorrows, 1969, 6 min Gregory J. Markopoulos,&nbsp;The Mysteries, 1968, 64 min Gregory J. Markopoulos in Europa. Einmal der pulsende Portr\u00e4t-Kubismus eines Ortes (Richard Wagners Villa in Tribschen). Dann ein narratives Mystery-Passion-Play (im byzantinischen Schwarz-Gold [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[158],"tags":[136],"class_list":["post-5767","post","type-post","status-publish","format-standard","hentry","category-gregory-markopoulos-film-as-film","tag-gregory-markopoulos"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5767"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5767\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}