{"id":5742,"date":"2014-10-10T20:30:02","date_gmt":"2014-10-10T19:30:02","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5742"},"modified":"2018-01-26T11:42:49","modified_gmt":"2018-01-26T11:42:49","slug":"brussels-markopoulos-1","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2014\/10\/10\/brussels-markopoulos-1\/","title":{"rendered":"Markopoulos 1"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>MARKOPOULOS 1<br \/>\nFriday 10 October 2014, at 8:30pm<br \/>\nBrussels Cinematek<\/strong><\/p>\n<p>Introduced by Mark Webber<\/p>\n<p><strong>Gregory J. Markopoulos, Twice a Man, 1963, 48 min<\/strong><br \/>\n<strong>Gregory J. Markopoulos, Through a Lens Brightly: Mark Turbyfill, 1967, 14 min<\/strong><\/p>\n<div class=\"description\">\n<p>A major achievement in Markopoulos\u2019 research in terms of editing and the use of colour,&nbsp;<em>Twice a Man<\/em>&nbsp;is considered by many to be the filmmaker\u2019s masterpiece. This contemporary transposition of the myth of Phaedra, aesthetically shattered, reinvents melodrama. Followed by a magnificent portrait of the dancer and poet Mark Turbyfill, whose vibrant images seem intertwined in an almost musical structure.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MARKOPOULOS 1 Friday 10 October 2014, at 8:30pm Brussels Cinematek Introduced by Mark Webber Gregory J. Markopoulos, Twice a Man, 1963, 48 min Gregory J. Markopoulos, Through a Lens Brightly: Mark Turbyfill, 1967, 14 min A major achievement in Markopoulos\u2019 research in terms of editing and the use of colour,&nbsp;Twice a Man&nbsp;is considered by many [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[158],"tags":[136],"class_list":["post-5742","post","type-post","status-publish","format-standard","hentry","category-gregory-markopoulos-film-as-film","tag-gregory-markopoulos"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5742"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5742\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}