{"id":5669,"date":"2015-03-22T19:30:56","date_gmt":"2015-03-22T19:30:56","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5669"},"modified":"2018-01-26T11:43:20","modified_gmt":"2018-01-26T11:43:20","slug":"illiac-passion-los-angeles","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2015\/03\/22\/illiac-passion-los-angeles\/","title":{"rendered":"The Illiac Passion"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>THE ILLIAC PASSION<\/strong><br \/>\n<strong> Sunday 22 March 2015, at 7:30pm<\/strong><br \/>\n<b>Los Angeles Filmforum<br \/>\n<\/b><\/p>\n<p>Throughout his life, Markopoulos remained closely connected to his heritage and made many works that connected with ancient Greek culture. <em>The Illiac Passion<\/em>, one of his most highly acclaimed films, is a visionary interpretation of \u2018Prometheus Bound\u2019 starring mythical beings from the 1960s underground. The cast includes Jack Smith, Taylor Mead, Beverly Grant, Gregory Battcock and Gerard Malanga, and Andy Warhol appears as Poseidon riding an exercise bike. The extraordinary soundtrack of this re-imagining of the classical realm features a fractured reading (by the filmmaker) of Henry Thoreau\u2019s translation of the Aeschylus text and excerpts from Bart\u00f3k\u2019s <em>Cantata Profana<\/em>. Writing about this erotic odyssey, Markopoulos asserted that, \u201cthe players become but the molecules of the nude protagonist, gyrating and struggling, all in love, bound and unbound, from situation to situation in the vast sea of emotion.\u201d<\/p>\n<p><strong>Gregory J. Markopoulos, The Illiac Passion, 1964-67, USA, 16mm, color, sound, 91 min<\/strong><\/p>\n<a onclick=\"wpex_toggle(429260208, 'PROGRAMME NOTES', 'Read less'); return false;\" class=\"wpex-link\" id=\"wpexlink429260208\" href=\"#\">PROGRAMME NOTES<\/a><div class=\"wpex_div\" id=\"wpex429260208\" style=\"display: none;\"><\/p>\n<p><strong>THE ILLIAC PASSION<\/strong><br \/>\nSunday 22 March 2015, at 7:30pm<br \/>\nLos Angeles Filmforum<\/p>\n<p><strong>THE ILLIAC PASSION<\/strong><br \/>\n<strong> Gregory J. Markopoulos, USA, 1964-67, 16mm, sound, colour, 92 minutes<\/strong><\/p>\n<p>\u201cMetamorphosis of the filmmaker. Passions of the filmmaker. Out of his breast the free flowing blood of the creation of a motion picture which depicts the passions of mankind and of everyman in general. The filmmaker selecting and offering to his actors the inheritance of themselves, transforming them through themselves, their own life\u2019s scenario, onto the motion picture screen. A screen in which everything is both transfixed and changed. Not only the filmmaker undergoes changes, i.e. the creative endeavor, but his actors or non-actors, and everyone who associates himself with the very moments during which the filmmaker is working. In this case the greatest alteration taking place towards the film spectator. The new film spectator of the new cinema. [\u2026]<\/p>\n<p>\u201cSet afire, the soul of the film spectator and the mythic characters or real personalities of <em>The Illiac Passion<\/em> commence to alternate, sometimes obliterate and then return to a moment passed or forgotten. That moment taking on greater meaning (upon its return, second return or reference in the film \u2013 via single frames, clusters of frames, and the classic principles of film editing), the symbols, the individual psychology united in a single structure, i.e. <em>The Illiac Passion<\/em>. All revealing the same story, but in variation, all united, all invoking the passions, and all seen through the vibrant passion of the hero, Mr Richard Beauvais as the apotheosis of a Prometheus who is not to bound to a rock, but bound to his own passions; i.e. his own life\u2019s scenario. And, all the various myths which the filmmaker uses in this development in <em>The Illiac Passion<\/em> become involved in that time development known as <em>eternity<\/em>.\u201d (Gregory J. Markopoulos<em>, <\/em><em>The Illiac Passion<\/em>, 1967)<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>THE ILLIAC PASSION Sunday 22 March 2015, at 7:30pm Los Angeles Filmforum Throughout his life, Markopoulos remained closely connected to his heritage and made many works that connected with ancient Greek culture. The Illiac Passion, one of his most highly acclaimed films, is a visionary interpretation of \u2018Prometheus Bound\u2019 starring mythical beings from the 1960s [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[158],"tags":[136],"class_list":["post-5669","post","type-post","status-publish","format-standard","hentry","category-gregory-markopoulos-film-as-film","tag-gregory-markopoulos"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5669"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5669\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}