ngg_shortcode_0_placeholder<\/p>\n
SHOOT SHOOT SHOOT: THE LONDON FILM-MAKERS’ CO-OPERATIVE 1966-76 This display traces the first decade of the London Film-Makers\u2019 Co-operative through a selection of documents, ephemera and films from the period. The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process. Many explored the material aspects of celluloid, whilst others experimented with multiple projection and performance-based \u2018expanded cinema\u2019. Despite the physical hardship of its survival, this artist-led organisation asserted the significance of British work internationally, and contributed towards today\u2019s vibrant culture of artists\u2019 moving image.<\/p>\n Curated by Mark Webber. Presented by LUX in association with the British Artists\u2019 Film and Video Study Collection. With thanks to Inga Fraser, David Curtis, Steven Ball, Alejandro Fernandez Moreno, Peter Gidal, William Cobbing and the Cobbing Family Archive.<\/p>\n","protected":false},"excerpt":{"rendered":" SHOOT SHOOT SHOOT: THE LONDON FILM-MAKERS’ CO-OPERATIVE 1966-76 25 April\u201417 July 2016 London Tate Britain Archive Gallery This display traces the first decade of the London Film-Makers\u2019 Co-operative through a selection of documents, ephemera and films from the period. The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[159],"tags":[118],"class_list":["post-5640","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2016","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5640"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5640\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n25 April\u201417 July 2016
\nLondon Tate Britain Archive Gallery<\/strong><\/p>\n