ngg_shortcode_0_placeholder<\/p>\n
MALCOLM LE GRICE: NEW BFI RESTORATIONS Malcolm Le Grice instigated the LFMC\u2019s move towards production, building up the workshop and sketching the blueprint for the organization\u2019s structure and constitution in 1968. By that time, he had already constructed the rudimentary printer and developer with which he made his early work. An artist with a passion for technological developments, he was an early adoptee of computer animation, new media and multi-channel work, and is now working in digital 3D. His first 16mm film Castle 1<\/em> is a Cageian found-footage assemblage that requires a flashing photoflood lightbulb to be hung in front of the screen. Little Dog for Roger<\/em>, along with Landow\u2019s Film in Which \u2026<\/em> and W+B Hein\u2019s Rohfilm<\/em>, embodies the materialist aspects of structural film. Berlin Horse<\/em> (music by Brian Eno) and Threshold<\/em> exhibit Le Grice\u2019s skills as a colorist and After Lumi\u00e8re<\/em> refashions early cinema to examine the construction of meaning. These five new restorations from the BFI are being shown together for the first time on film.<\/p>\n Malcolm Le Grice, Castle 1, 1966, 35mm, b\/w, sound, 22 min<\/strong> MALCOLM LE GRICE: NEW BFI RESTORATIONS Tuesday 1 November 2016, at 7:30pm New York Anthology Film Archives Malcolm Le Grice instigated the LFMC\u2019s move towards production, building up the workshop and sketching the blueprint for the organization\u2019s structure and constitution in 1968. By that time, he had already constructed the rudimentary printer and developer with […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[159],"tags":[118],"class_list":["post-5594","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2016","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5594"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5594\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTuesday 1 November 2016, at 7:30pm
\nNew York Anthology Film Archives<\/strong><\/p>\n
\n Malcolm Le Grice, Little Dog for Roger, <\/strong>1967, 35mm, b\/w, sound, 12 min
\n<\/strong>Malcolm Le Grice, Berlin Horse, 1970, 35mm, color, sound, 9 min
\n<\/strong>Malcolm Le Grice, Threshold, 1972, 16mm, color, sound, 13 min
\n<\/strong>Malcolm Le Grice, After Lumi\u00e8re \u2013 L\u2019arroseur arros\u00e9, 1974, 35mm, b\/w, sound, 12 min<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"