ngg_shortcode_0_placeholder<\/p>\n
SHOOT SHOOT SHOOT PROGRAM 3 In the early 1970s, Malcolm Le Grice, Gil Eatherley, William Raban and Annabel Nicolson frequently collaborated on expanded cinema shows under the collective name Filmaktion. In After Manet<\/em>, all four appear as filmmaker\/performers, sharing in a picnic while each operating a 16mm camera according to a set of instructions determined by Le Grice. The resulting images offer different viewpoints on the same event and were shot in permutations of color, black and white, positive and negative. Originally projected as a four-screen simultaneous projection, After Manet<\/em> is now presented as a HD digital composite. William Raban\u2019s rarely seen film Breath<\/em> is also a performance within a pastoral landscape. Here, three cameras (operated by Raban, Eatherley and Le Grice) converge on a tape recorder, each shot lasting the duration of a single breath.<\/p>\n William Raban, Breath, 1974, digital, color, sound, 16 min<\/strong> SHOOT SHOOT SHOOT PROGRAM 3 Tuesday 25 October 2016, at 9pm New York Anthology Film Archives In the early 1970s, Malcolm Le Grice, Gil Eatherley, William Raban and Annabel Nicolson frequently collaborated on expanded cinema shows under the collective name Filmaktion. In After Manet, all four appear as filmmaker\/performers, sharing in a picnic while each […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[159],"tags":[118],"class_list":["post-5589","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2016","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5589"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5589\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTuesday 25 October 2016, at 9pm
\nNew York Anthology Film Archives<\/strong><\/p>\n
\nMalcolm Le Grice, After Manet, After Giorgione \u2013 Le d\u00e9jeuner sur l’herbe or F\u00eate Champ\u00eatre, 1974, digital, color, sound, 53 min<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"