ngg_shortcode_0_placeholder<\/p>\n
SHOOT SHOOT SHOOT PROGRAM 1 It was the film workshop that set the structure of the LFMC apart from other film co-ops. The facility housed a continuous processor and step printer that enabled filmmakers to work directly with the medium, without the need or expense of commercial laboratories, and provided a set of technical parameters that enabled a school of filmmaking to develop. This program spotlights works that were, more or less, produced within that environment, from the more playful films of Annabel Nicolson and Marilyn Halford, to one of Malcolm Le Grice\u2019s early loop-based found footage meditations on the military\/industrial complex. Mike Leggett\u2019s seminal process-piece Shepherd\u2019s Bush<\/em>, a measured passage from darkness to light, was conceived as a test for the Co-op\u2019s step printer but is nonetheless a cathartic experience for the viewer. Chris Garratt\u2019s Versailles I & II<\/em> and Lis Rhodes\u2019 dynamic Dresden Dynamo<\/em> explore the possibilities of using visual imagery to create optical sound on 16mm film.<\/p>\n Annabel Nicolson, Frames, 1973, 16mm, 18fps, color, silent, 8 min<\/strong> SHOOT SHOOT SHOOT PROGRAM 1 Thursday 20 October 2016, at 7:30pm New York Anthology Film Archives It was the film workshop that set the structure of the LFMC apart from other film co-ops. The facility housed a continuous processor and step printer that enabled filmmakers to work directly with the medium, without the need or […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[159],"tags":[118],"class_list":["post-5585","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2016","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5585"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5585\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThursday 20 October 2016, at 7:30pm
\nNew York Anthology Film Archives<\/strong><\/p>\n
\n Marilyn Halford, Footsteps, 1975, 16mm, b\/w, sound, 7 min<\/strong>
\n Mike Leggett, Shepherd\u2019s Bush, 1971, 16mm, b\/w, sound, 15 min<\/strong>
\n David Crosswaite, Film No. 1, 1971, 16mm, color, sound, 10 min<\/strong>
\n Lis Rhodes, Dresden Dynamo, 1971-72, 16mm, color, sound, 4 min<\/strong>
\n Chris Garratt, Versailles I & II, 1976, 16mm, b\/w, sound, 11m<\/strong>
\n Malcolm Le Grice, Reign of the Vampire, 1970, 16mm, b\/w, sound, 16 min<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"