{"id":5543,"date":"2006-04-01T00:00:44","date_gmt":"2006-03-31T23:00:44","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5543"},"modified":"2018-01-25T14:57:37","modified_gmt":"2018-01-25T14:57:37","slug":"lff-experimenta-tour-2006","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/04\/01\/lff-experimenta-tour-2006\/","title":{"rendered":"London Film Festival Experimenta Tour 2006"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>LONDON FILM FESTIVAL EXPERIMENTA TOUR 2006<br \/>\nApril\u2013June 2006<\/b><br \/>\n<strong> UK touring programme<br \/>\n<\/strong><\/p>\n<p>The Experimenta tour presents a selection of artists\u2019 film and video from The Times bfi London Film Festival 2005. It features established and emerging international artists, encompassing documentary, animation, performance, personal and political works.<\/p>\n<p>This year\u2019s package contains two mixed programmes devoted to recent short films and videos, documentaries about extraordinary relationships between humans and animals, and James Benning\u2019s stunning <em>Ten Skies<\/em>, \u201cthe cinematic equivalent of the delirious process of lying on one\u2019s back staring at the sky and letting one\u2019s head clear into a near meditative state.\u201d<\/p>\n<p>Experimenta has created a space in the Festival for the most innovative forms of cinema, presented on an even platform with premieres of independent features and blockbuster movies. It provides a focus point for artists\u2019 moving image and non-narrative filmmaking, bringing together works from around the world in a sequence of curated screenings. Experimenta promotes works that exist equally in film and art contexts, those that open up new ways of seeing, and of thinking.<\/p>\n<p>TEN SKIES<br \/>\n<b>James Benning, Ten Skies, USA, 2004, 133 min<\/b><\/p>\n<p>FILMS BY VLADIMIR TYULKIN<strong><br \/>\n<\/strong><strong>Vladimir Tyulkin, About Love, Kazakhstan, 2005, 28 min<\/strong><br \/>\n<strong>Vladimir Tyulkin, Lord of the Flies, Kazakhstan, 1990, 45 min<\/strong><\/p>\n<p>FILM FOCUS<br \/>\n<strong><b>David Gatten, The Great Art of Knowing, USA, 2004, 37 min<br \/>\n<\/b><b>Janie Geiser, Terrace 49, USA, 2004, 6 min<br \/>\n<\/b><b>Lewis Klahr, The Two Minutes to Zero Trilogy, USA, 2003-04, 33 min<br \/>\n<\/b><b>Karen Mirza &amp; Brad Butler, The Space Between, UK, 2005, 12 min<br \/>\n<\/b><b>Michael Robinson, You Don\u2019t Bring Me Flowers, USA, 2005, 8 min<br \/>\n<\/b><b>Trish van Huesen, Fugue, USA, 2004, 7 min<\/b><br \/>\n<\/strong><\/p>\n<p>VIDEO VISIONS<br \/>\n<strong><b>Leslie Thornton, Let Me Count The Ways: Minus 10, 9, 8, 7, USA, 2004, 20 min<br \/>\n<\/b><b>Jayne Parker, Stationary Music, UK, 2005, 15 min<br \/>\n<\/b><b>Jacqueline Goss, How to Fix the World, USA-Uzbekistan, 2004, 28 min<br \/>\n<\/b><b>Guy Ben-Ner, Wild Boy, Israel-USA, 2004, 17 min<br \/>\n<\/b><b>Kenneth Anger, Mouse Heaven, USA, 2005, 10 min<\/b><br \/>\n<\/strong><\/p>\n<p><em>Selections from these programmes screened at Belfast Queens Film Theatre, Bristol Arnolfini, Edinburgh Filmhouse, Leeds Hyde Park Picture House, London Greenwich Picturehouse, London ICA and Sheffield Showroom.<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[49],"tags":[9],"class_list":["post-5543","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2005","tag-london-film-festival"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5543"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5543\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}