ngg_shortcode_0_placeholder<\/p>\n
THE ILLIAC PASSION<\/strong> Gregory J. Markopoulos (1928-92) was one of the most original filmmakers to emerge from the post-war avant-garde. His films, which often translated literary or mythological sources to a contemporary context, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. In the 1960s, Markopoulos was actively involved in New York\u2019s vibrant film community \u2013 the same milieu in which landmark works such as Scorpio Rising<\/em> (Kenneth Anger), Flaming Creatures<\/em> (Jack Smith) and The Chelsea Girls<\/em> (Andy Warhol) first enraptured audiences. It was here that Markopoulos made one of his most celebrated films, The Illiac Passion<\/em>, an extravagant interpretation of \u2018Prometheus Bound\u2019 populated with fantastic characters from the underground scene. Warhol appears as Poseidon, alongside Beverly Grant, Taylor Mead, Jack Smith, and other important figures. The soundtrack of this visionary re-imagining of the classical realm features a fractured reading of Thoreau\u2019s translation of Aeschylus and excerpts from Bart\u00f3k.<\/p>\n Gregory J. Markopoulos, The Illiac Passion, 1964-67, 92 min <\/strong><\/p>\n This rare screening of The Illiac Passion<\/em> celebrates the publication of Film as Film: The Collected Writings of Gregory J. Markopoulos<\/em><\/a> (The Visible Press, 2014) and will be introduced by the book\u2019s editor Mark Webber.<\/p>\n
\n Saturday 2 August 2014, at 2pm<\/strong>
\nGuanajuato<\/span> Teatro Juarez<\/strong><\/p>\n