{"id":5163,"date":"2013-01-23T20:40:33","date_gmt":"2013-01-23T20:40:33","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=5163"},"modified":"2018-01-25T14:52:49","modified_gmt":"2018-01-25T14:52:49","slug":"warren-sonbert-2","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2013\/01\/23\/warren-sonbert-2\/","title":{"rendered":"Essential Experiments: Warren Sonbert"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>ESSENTIAL EXPERIMENTS: WARREN SONBERT<br \/>\nWednesday 23 January 2013, at 8:40pm<br \/>\nLondon BFI Southbank NFT2<\/strong><\/p>\n<p>To coincide with BFI\u2019s Jonas Mekas and Anthology Film Archives seasons, these two works by Warren Sonbert demonstrate an entirely different approach to lyrical cinema. Having emerged in New York\u2019s bohemian scene, with connections to the Warhol Factory and the coterie of filmmakers around Gregory Markopoulos, Sonbert travelled extensively to film <em>Carriage Trade<\/em>, his epic montage of people and places. In the more exuberant <em>Friendly Witness<\/em>, lush imagery is animated by sixties pop and opera.<\/p>\n<p><strong>Warren Sonbert,&nbsp;Carriage Trade, 1972, 61 min<\/strong><br \/>\n<strong>Warren Sonbert,&nbsp;Friendly Witness, 1989, 22 min<\/strong><\/p>\n<p>Programmed and introduced by independent curator Mark Webber.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ESSENTIAL EXPERIMENTS: WARREN SONBERT Wednesday 23 January 2013, at 8:40pm London BFI Southbank NFT2 To coincide with BFI\u2019s Jonas Mekas and Anthology Film Archives seasons, these two works by Warren Sonbert demonstrate an entirely different approach to lyrical cinema. Having emerged in New York\u2019s bohemian scene, with connections to the Warhol Factory and the coterie [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[144],"tags":[],"class_list":["post-5163","post","type-post","status-publish","format-standard","hentry","category-anthology-film-archives"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5163"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5163\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}