ngg_shortcode_0_placeholder<\/p>\n
ANTHOLOGY FILM ARCHIVES AND ESSENTIAL CINEMA PROGRAMME 4 Surrealism and the poetic sensibility were amongst the defining traits of the post-war avant-garde. In 1947, the teenage Kenneth Anger drew inspiration from Jean Cocteau to make Fireworks<\/em>, a bold, astounding, homoerotic vision. Pull My Daisy<\/em> was narrated by Jack Kerouac and includes Allen Ginsberg, Alice Neel and Delphine Seyrig among its illustrious cast. The programme concludes with fragments from Harry Smith\u2019s abandoned Wizard of Oz project.<\/p>\n Willard Maas, Geography of the Body, 1943, 7 min<\/strong> ANTHOLOGY FILM ARCHIVES AND ESSENTIAL CINEMA PROGRAMME 4 Monday 28 January 2013, at 8:30pm London BFI Southbank NFT2 Surrealism and the poetic sensibility were amongst the defining traits of the post-war avant-garde. In 1947, the teenage Kenneth Anger drew inspiration from Jean Cocteau to make Fireworks, a bold, astounding, homoerotic vision. Pull My Daisy was […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[144,142],"tags":[],"class_list":["post-5161","post","type-post","status-publish","format-standard","hentry","category-anthology-film-archives","category-jonas-mekas"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=5161"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/5161\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=5161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=5161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=5161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMonday 28 January 2013, at 8:30pm
\nLondon BFI Southbank NFT2<\/strong><\/p>\n
\n Douglas Crockwell, Glen Falls Sequence, 1937-46, 8 min<\/strong>
\n Kenneth Anger, Fireworks, 1947, 20 min<\/strong>
\n Ed Emshwiller, Thanatopsis, 1962, 5 min<\/strong>
\n Robert Frank & Alfred Leslie, Pull My Daisy, 1959, 28 min<\/strong>
\n Harry Smith, Oz: The Tin Woodman\u2019s Dream, 1967, 15 min<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"