ngg_shortcode_0_placeholder<\/p>\n
PLENTY 12: DICHTUNG UND WAHRHEIT<\/strong> The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.<\/p>\n DICHTUNG UND WAHRHEIT (POETRY AND TRUTH)<\/strong> \u201cPeter Kubelka is the world’s greatest filmmaker \u2013 which is to say, simply: see his films! \u2026 by all means\/above all else \u2026 et cetera.\u201d (Stan Brakhage)<\/p>\n Peter Kubelka (born 1933) is an artist, anthropologist, cook and teacher. Active as a filmmaker over five decades, his total output amounts to some sixty-two minutes of screen time in which he explores the essential qualities of cinema.<\/p>\n PLENTY, a free monthly screening series selected by Mark Webber, forms part of the \u201cBrief Habits\u201d programme curated by Shama Khanna.<\/p>\n","protected":false},"excerpt":{"rendered":" PLENTY 12: DICHTUNG UND WAHRHEIT Tuesday 2 November 2011, at 7pm London E:vent Gallery The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[137],"tags":[163],"class_list":["post-4895","post","type-post","status-publish","format-standard","hentry","category-plenty","tag-peter-kubelka"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4895"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4895\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Tuesday 2 November 2011, at 7pm
\nLondon E:vent Gallery<\/strong><\/p>\n
\nPeter Kubelka, Austria, 2003, 16mm, colour, silent, 13 min<\/strong>
\nIn cinema, as in anthropological study, the ready-made reveal ssome of the fundamental poetry and truth of our lives. Peter Kubelka unearthed sequences of discarded takes from advertising films and presents them, almost untouched, as documents that unwittingly offer valuable and humorous insights into the human condition.<\/p>\n