ngg_shortcode_0_placeholder<\/p>\n
PLENTY 10: UNNAMED FILM<\/strong> The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.<\/p>\n UNNAMED FILM<\/strong> \u201cA hybrid of lyrical and documentary forms, hers is a cinema equally attuned to the unique textures of small-gauge celluloid and the subtleties of cultural difference.\u201d (Light Industry)<\/p>\n Naomi Uman\u2019s work addresses themes of labour, geography, immigration, language and love. She continues to live in the Ukraine, where she makes films, paints, and grows vegetables and flowers.<\/p>\n PLENTY, a free monthly screening series selected by Mark Webber, forms part of the \u201cBrief Habits\u201d programme curated by Shama Khanna.<\/p>\n","protected":false},"excerpt":{"rendered":" PLENTY 10: UNNAMED FILM Tuesday 30 August 2011, at 7pm London E:vent Gallery The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[137],"tags":[],"class_list":["post-4891","post","type-post","status-publish","format-standard","hentry","category-plenty"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4891"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4891\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Tuesday 30 August 2011, at 7pm
\nLondon E:vent Gallery<\/strong><\/p>\n
\nNaomi Uman, Ukraine, 2008, 16mm, colour, sound, 55 min<\/strong>
\nNaomi Uman stepped into the Ukranian time machine in 2006. 100 years after her grandparents emigrated to the USA, the filmmaker made the reverse journey and settled in a remote village. Her film diary documents her assimilation into the customs of an ageing community, and observes a rural way of life that has changed little over the centuries.<\/p>\n