{"id":4880,"date":"2011-03-08T19:00:00","date_gmt":"2011-03-08T19:00:00","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=4880"},"modified":"2018-01-25T14:53:24","modified_gmt":"2018-01-25T14:53:24","slug":"plenty-5-deborah-stratman-2","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2011\/03\/08\/plenty-5-deborah-stratman-2\/","title":{"rendered":"PLENTY 5: O&#8217;er the Land"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>PLENTY 5: O&#8217;ER THE LAND<br \/>\n<\/strong><strong>Tuesday 8 March 2011, at 7pm<br \/>\nLondon E:vent Gallery<\/strong><\/p>\n<p>The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.<\/p>\n<p><strong>O\u2019ER THE LAND<\/strong><br \/>\n<strong>Deborah Stratman, USA, 2009, 16mm, colour, sound, 52 min<\/strong><br \/>\nMarine Corps pilot William Rankin ejected from his jet into a severe thunderstorm, surviving lightening strikes in a 40-minute descent. 50 years later, his account is the starting point for a contemplation of American national identity that takes in Civil War re-enactments, high school football games, gun shows, firefighters and border patrols.<\/p>\n<p>Deborah Stratman (born 1967) is a Chicago-based artist working in photography, sound, drawing and installation. Her films use experimental and documentary techniques to explore an interest in landscapes, mythologies and systems.<\/p>\n<p>PLENTY, a free monthly screening series selected by Mark Webber, forms part of the \u201cBrief Habits\u201d programme curated by Shama Khanna.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PLENTY 5: O&#8217;ER THE LAND Tuesday 8 March 2011, at 7pm London E:vent Gallery The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[137],"tags":[],"class_list":["post-4880","post","type-post","status-publish","format-standard","hentry","category-plenty"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4880"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4880\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}