{"id":4874,"date":"2011-01-11T19:00:00","date_gmt":"2011-01-11T19:00:00","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=4874"},"modified":"2018-01-25T14:53:24","modified_gmt":"2018-01-25T14:53:24","slug":"plenty-3-cocullo","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2011\/01\/11\/plenty-3-cocullo\/","title":{"rendered":"PLENTY 3: Cocullo"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>PLENTY 3: COCULLO<br \/>\n<\/strong><strong>Tuesday 11 January 2011, at 7pm<br \/>\nLondon E:vent Gallery<\/strong><\/p>\n<p>The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.<\/p>\n<p><strong>COCULLO<br \/>\n<\/strong><strong>Nino Pezzella, Italy, 2000-06, 16mm, colour, sound, 30 min<br \/>\n<\/strong>Snakes alive! For the annual Festa dei Serpari in Cocullo, a statue of San Domenico is adorned with snakes and paraded through the village streets, escorted by bagpipes and a marching band. Traditional foods are prepared using time-honoured methods. Pezzella\u2019s dynamic film collides sounds and images as it follows this extraordinary ritual and its participants.<\/p>\n<p>Painter and filmmaker Nino Pezzella (born 1961, Wiesbaden) studied at the St\u00e4delschule, Frankfurt, where he now teaches life drawing. His current work documents the lives of the Femminielli in Naples.<\/p>\n<p>PLENTY, a free monthly screening series selected by Mark Webber, forms part of the \u201cBrief Habits\u201d programme curated by Shama Khanna.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PLENTY 3: COCULLO Tuesday 11 January 2011, at 7pm London E:vent Gallery The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[137],"tags":[],"class_list":["post-4874","post","type-post","status-publish","format-standard","hentry","category-plenty"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4874"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4874\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}