{"id":4871,"date":"2010-11-30T19:00:00","date_gmt":"2010-11-30T19:00:00","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=4871"},"modified":"2018-01-25T14:53:24","modified_gmt":"2018-01-25T14:53:24","slug":"plenty-2-agypten","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2010\/11\/30\/plenty-2-agypten\/","title":{"rendered":"PLENTY 2: \u00c4gypten"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>PLENTY 2: \u00c4GYPTEN<br \/>\n<\/strong><strong>Tuesday 30 November 2010, at 7pm<br \/>\nLondon E:vent Gallery<\/strong><\/p>\n<p>The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.<\/p>\n<p><strong>\u00c4GYPTEN [EGYPT]<br \/>\nKathrin Resetarits, Austria, 1997, 16mm, b\/w, sound, 10 min<br \/>\n<\/strong><em>\u00c4gypten <\/em>takes viewers on a journey into the silent world of sign language, exploring visual communication between people of all ages. Children recount movie scenes and an expedition to the pyramids, a woman signs a traditional Viennese ballad and a group of pensioners socialise. The film uses the power of cinema to explore this theme with humour and compassion.<\/p>\n<p>Kathrin Resetarits (born 1973) is a Viennese writer, actress and filmmaker. Her other films include <em>Fremde<\/em> (1999) and <em>Ich Bin Ich<\/em> (2006). She played a leading role in Barbara Albert\u2019s <em>Fallen<\/em> (1997) and has worked as an assistant to Michael Haneke.<\/p>\n<p>PLENTY, a free monthly screening series selected by Mark Webber, forms part of the \u201cBrief Habits\u201d programme curated by Shama Khanna.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PLENTY 2: \u00c4GYPTEN Tuesday 30 November 2010, at 7pm London E:vent Gallery The screening series PLENTY proposes a new way of looking at artists\u2019 films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[137],"tags":[],"class_list":["post-4871","post","type-post","status-publish","format-standard","hentry","category-plenty"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4871"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4871\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}