ngg_shortcode_0_placeholder<\/p>\n
MY HAND OUTSTRETCHED: PROGRAMME 7 Robert Beavers, Efpsychi, 1983\/1996, 35mm, colour, sound, 20 min Robert Beavers, Wingseed, 1985, 16mm, colour, sound, 15 min MY HAND OUTSTRETCHED: PROGRAMME 7 Sunday 25 February 2007, at 2pm London Tate Modern Robert Beavers, Efpsychi, 1983\/1996, 35mm, colour, sound, 20 min The details of the young actor\u2019s face \u2013 his eyes, eyebrows, earlobe, chin, etc. \u2013 are set opposite the old buildings in the market quarter of Athens, where every street is named […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[133],"tags":[],"class_list":["post-4439","post","type-post","status-publish","format-standard","hentry","category-robert-beavers"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4439"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4439\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSunday 25 February 2007, at 2pm
\nLondon Tate Modern<\/strong><\/p>\n
\n<\/strong>The details of the young actor\u2019s face \u2013 his eyes, eyebrows, earlobe, chin, etc. \u2013 are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwright. In this setting of intense stillness, sometimes interrupted by sudden sounds and movements in the streets, he speaks a single word, \u201cteleftea\u201d, meaning the last (one), and as he repeats this word, it moves differently each time across his face and gains another sense from one scene to the next, suggesting the uncanny proximity of eroticism, the sacred and chance. (Robert Beavers)<\/p>\n
\n<\/strong>A seed which floats in the air, a whirligig, a love charm. This magnificent landscape, both hot and dry, is far from sterile; rather, the heat and dryness produce a distinct type of life, seen in the perfect forms of the wild grass and seed pods, the herds of goats as well as in the naked figure. The torso, in itself, and more, the image which it creates in this light. The sounds of the shepherd\u2019s signals and the flute\u2019s phrase are heard. And the goats\u2019 bells. Imagine the bell\u2019s clapper moving from side to side with the goat\u2019s movements like the quick side-to-side camera movements, which increase in pace and reach a vibrant ostinato. (Robert Beavers)<\/p>\n","protected":false},"excerpt":{"rendered":"