ngg_shortcode_0_placeholder<\/p>\n
TO THE WINGED DISTANCE: PROGRAMME 3 Robert Beavers, Early Monthly Segments, 1968-70\/2002, 35mm, colour, silent, 33 min Robert Beavers, Sotiros, 1976-78\/1996, 35mm, colour, sound, 25 min Robert Beavers, The Ground, 1993-2001, 35mm, colour, sound, 20 min TO THE WINGED DISTANCE: PROGRAMME 3 Friday 9 February 2007, at 7pm London Tate Modern Robert Beavers, Early Monthly Segments, 1968-70\/2002, 35mm, colour, silent, 33 min Early Monthly Segments, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, \u201cMy Hand Outstretched to the Winged Distance and Sightless […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[133],"tags":[],"class_list":["post-4416","post","type-post","status-publish","format-standard","hentry","category-robert-beavers"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4416"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4416\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFriday 9 February 2007, at 7pm
\nLondon Tate Modern<\/strong><\/p>\n
\n<\/strong>Early Monthly Segments<\/em>, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, \u201cMy Hand Outstretched to the Winged Distance and Sightless Measure.\u201d It is a highly stylized work of self-portraiture, depicting filmmaker and companion Gregory J. Markopoulos in their Swiss apartment. The film functions as a diary, capturing aspects of home life with precise attention to detail, documenting the familiar with great love and transforming objects and ordinary personal effects into a highly-charged work of homoeroticism. (Susan Oxtoby, Toronto International Film Festival)<\/p>\n
\n<\/strong>In Sotiros<\/em>, there is an unspoken dialogue and a seen dialogue. The first is held between the intertitles and the images; the second is moved by the tripod and by the emotions of the filmmaker. Both dialogues are interwoven with the sunlight\u2019s movement as it circles the room, touching each wall and corner, detached and intimate. (Robert Beavers)<\/p>\n
\n<\/strong>What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker\/stonemason. A tower or ruin of remembrance. With each swing of the hammer I cut into the image and the sound rises from the chisel. A rhythm, marked by repetition, and animated by variation; strokes of hammer and fist, resounding in dialogue. In this space which the film creates, emptiness gains a contour strong enough for the spectator to see more than the image \u2013 a space permitting vision in addition to sight. (Robert Beavers)<\/p>\n","protected":false},"excerpt":{"rendered":"