ngg_shortcode_0_placeholder<\/p>\n
TO THE WINGED DISTANCE: PROGRAMME 2 Introduction by Robert Beavers.<\/p>\n Robert Beavers, From the Notebook of \u2026, 1971\/1998, 35mm, colour, sound, 48 min NB: The advertised introduction and discussion with P. Adams Sitney was unfortunately cancelled.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" TO THE WINGED DISTANCE: PROGRAMME 2 Sunday 4 February 2007, at 3pm London Tate Modern Introduction by Robert Beavers. Robert Beavers, From the Notebook of \u2026, 1971\/1998, 35mm, colour, sound, 48 min From the Notebook of \u2026 was shot in Florence and takes as its point of departure Leonardo da Vinci\u2019s notebooks and Paul Val\u00e9ry\u2019s […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[133],"tags":[],"class_list":["post-4414","post","type-post","status-publish","format-standard","hentry","category-robert-beavers"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4414"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4414\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSunday 4 February 2007, at 3pm
\nLondon Tate Modern<\/strong><\/p>\n
\n<\/strong>From the Notebook of \u2026<\/em> was shot in Florence and takes as its point of departure Leonardo da Vinci\u2019s notebooks and Paul Val\u00e9ry\u2019s essay on da Vinci\u2019s process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist\u2019s work in that he repeatedly employs a series of rapid pans and upward tilts along the city\u2019s buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers\u2019 presence and suggest his investigating gaze. (Henriette Huldisch, Whitney Museum of American Art)<\/p>\n