{"id":4341,"date":"2006-11-10T00:00:48","date_gmt":"2006-11-10T00:00:48","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=4341"},"modified":"2018-01-25T14:55:57","modified_gmt":"2018-01-25T14:55:57","slug":"shoot-shoot-shoot-condensed","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2006\/11\/10\/shoot-shoot-shoot-condensed\/","title":{"rendered":"Shoot Shoot Shoot Condensed 2006-08"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>SHOOT SHOOT SHOOT: BRITISH AVANT-GARDE FILM OF THE 1960s &amp; 1970s<br \/>\nNovember 2006 \u2013 May 2008<br \/>\nInternational Touring Programme<br \/>\n<\/b><\/p>\n<p><span lang=\"EN-GB\">The 1960s and 1970s were groundbreaking decades in which independent filmmakers challenged cinematic convention. In England, much of the innovation took place at the London Film-Makers\u2019 Co-operative, an artist-led organisation that enabled filmmakers to control every aspect of the creative process. LFMC members conducted an investigation of celluloid that echoed contemporary developments in painting and sculpture. During this same period, British filmmakers also made significant innovations in the field of \u2018expanded cinema\u2019, creating multi-screen projections, film environments and live performance pieces.<\/span><\/p>\n<p><span lang=\"EN-GB\">The physical production of a film (its printing and processing) became integral to its form and content as Malcolm Le Grice, Lis Rhodes, Peter Gidal and others explored the material and mechanics of cinema, making radical new works that contributed to a new visual language. The London Film-Makers\u2019 Co-operative, which was established on 13th October 1966, grew from a film society at the heart of London\u2019s sixties counterculture to become Europe\u2019s largest distributor of experimental cinema and was recognised internationally as a major centre for avant-garde film.<\/span><\/p>\n<p><span lang=\"EN-GB\">\u201cShoot Shoot Shoot: The First Decade of the London Film-Makers\u2019 Co-operative &amp; British Avant-Garde Film 1966-76\u201d was a major research and exhibition project that toured worldwide from 2002-04. The original 8 programme package of single screen films, multiple projection works and expanded cinema performances that was shown at 19 venues including London Tate Modern, Gateshead Baltic, Basel Kunsthalle, Barcelona Funda\u00e7io Anton\u00ed Tapies, Athens Dest\u00e9 Foundation, Tokyo Image Forum and the Melbourne International Film Festival.<\/span><\/p>\n<p><span lang=\"EN-GB\">This new package is being made available on the 40th anniversary of the LFMC to support the release of the DVD \u201cShoot Shoot Shoot: British Avant-Garde Film of the 1960s &amp; 1970s\u201d in Autumn 2006. The two programmes contain several films that are not on the DVD and some which were not included in the original tour.<\/span><\/p>\n<p>10 &amp; 11 November 2006, London Tate Modern<br \/>\n3 February 2007, Birmingham MAC<br \/>\n29 March 2007, Glasgow Transmission Gallery<br \/>\n25 April 2007, Osnabruck European Media Art Festival<br \/>\n29 May 2007, Nottingham Broadway Cinema and Media Centre (Programme 2 only)<br \/>\n13 &amp; 14 June 2007, Brussels Cin\u00e9math\u00e8que royale de Belgique<br \/>\n25 &amp; 30 September 2007, Zagreb 25 FPS Festival<br \/>\n16 October 2007, Portland Cinema Project<br \/>\n27 October 2007, Pittsburgh Filmmakers<br \/>\n8 &amp; 9 November 2007, Rochester Visual Studies Workshop<br \/>\n24 &amp; 25 November 2007, Toronto Cinematheque Ontario<br \/>\n29 January &amp; 5 February 2008, Milwaukee Union Theatre<br \/>\n4 &amp; 11 March 2008, Berkeley Pacific Film Archive<br \/>\n2 &amp; 16 March 2008, Los Angeles Filmforum<br \/>\n27 &amp; 31 May 2008, Zurich Videoex<\/p>\n<p><span lang=\"EN-GB\"><em>\u201cShoot Shoot Shoot\u201d is a LUX project. Curated by Mark Webber.<\/em> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[132],"tags":[118],"class_list":["post-4341","post","type-post","status-publish","format-standard","hentry","category-shoot-shoot-shoot-2006","tag-shoot-shoot-shoot"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=4341"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/4341\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=4341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=4341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=4341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}