{"id":3997,"date":"2004-10-15T18:20:44","date_gmt":"2004-10-15T17:20:44","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3997"},"modified":"2018-01-25T14:58:27","modified_gmt":"2018-01-25T14:58:27","slug":"menschenfrauen","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/10\/15\/menschenfrauen\/","title":{"rendered":"Menschenfrauen"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>MENSCHENFRAUEN<br \/>\nFriday 15 October 2004, at 6:20pm<br \/>\n<\/strong><strong>London National Film Theatre NFT2<\/strong><strong><br \/>\n<\/strong><\/p>\n<p class=\"p1\">Through the interrelated story of four women and their relationships with philanderer<b> <\/b>Franz, <i>Menschenfrauen<\/i> (literally translated as \u2018Human Women\u2019) explores the women\u2019s place in a man\u2019s world and the double standards that are perpetuated<b> <\/b>by society. Whilst the film has a strong narrative drive, it is laced with formal and visual experimentation, and the dark humour does little to diminish the harsh feminist stance. Elisabeth, a self-sacrificing mother, is betrayed by an unappreciative son and abusive partner. Anna and Petra, both pregnant by Franz, turn to each other for affection and support<b>, <\/b>whilst Gertrude is driven to take more decisive action<b>. <\/b><\/p>\n<p class=\"p1\"><strong>Valie Export, Menschenfrauen, Austria, 1980, 100 mins<\/strong><br \/>\nwith Ren\u00e9e Felden, Maria Martina and Susanne Widl<\/p>\n<p><em>Also screening: Tuesday 19 October 2004, at 8:40pm<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MENSCHENFRAUEN Friday 15 October 2004, at 6:20pm London National Film Theatre NFT2 Through the interrelated story of four women and their relationships with philanderer Franz, Menschenfrauen (literally translated as \u2018Human Women\u2019) explores the women\u2019s place in a man\u2019s world and the double standards that are perpetuated by society. Whilst the film has a strong narrative [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[126],"tags":[],"class_list":["post-3997","post","type-post","status-publish","format-standard","hentry","category-valie-export"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3997"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3997\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}