{"id":3995,"date":"2004-10-14T20:40:44","date_gmt":"2004-10-14T19:40:44","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3995"},"modified":"2018-01-25T14:58:27","modified_gmt":"2018-01-25T14:58:27","slug":"invisible-adversaries","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2004\/10\/14\/invisible-adversaries\/","title":{"rendered":"Invisible Adversaries"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>INVISIBLE ADVERSARIES<br \/>\nThursday 14 October 2004, at 8:40pm<br \/>\n<\/strong><strong>London National Film Theatre NFT2<\/strong><strong><br \/>\n<\/strong><\/p>\n<p class=\"p1\">Anna is a photographer who becomes increasingly obsessed with morbid subject matter as she undergoes a psychological breakdown. Convinced that the world is being taken over by the Hyksos \u2013 an invisible enemy that appear as immaculate duplicates of human beings \u2013 she endures a series of surreal and delusional episodes. <i>Invisible Adversaries<\/i> investigates the control and influence the media exerts on our lives, whilst also critiquing dysfunctional relationships, bourgeois society and global politics. Export\u2019s first feature is a tour-de-force that integrates her visual work in photography, performance and installation art with elements of a science fiction narrative.<\/p>\n<p class=\"p1\"><strong>Valie Export, Invisible Adversaries (Unsichtbare Gegner), Austria, 1976, 104 mins<\/strong><br \/>\nwith Susanne Widl and Peter Weibel<\/p>\n<p><em>Also screening: Tuesday 19 October 2004, at 6:20pm<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>INVISIBLE ADVERSARIES Thursday 14 October 2004, at 8:40pm London National Film Theatre NFT2 Anna is a photographer who becomes increasingly obsessed with morbid subject matter as she undergoes a psychological breakdown. Convinced that the world is being taken over by the Hyksos \u2013 an invisible enemy that appear as immaculate duplicates of human beings \u2013 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[126],"tags":[],"class_list":["post-3995","post","type-post","status-publish","format-standard","hentry","category-valie-export"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3995"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3995\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}