{"id":3926,"date":"2003-12-05T19:00:44","date_gmt":"2003-12-05T19:00:44","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3926"},"modified":"2018-02-04T10:35:40","modified_gmt":"2018-02-04T10:35:40","slug":"oskar-fischinger-masterworks","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2003\/12\/05\/oskar-fischinger-masterworks\/","title":{"rendered":"Oskar Fischinger: The Masterworks"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>OSKAR FISCHINGER: THE MASTERWORKS<br \/>\nFriday 5 December 2003, at 7pm<br \/>\n<\/strong><strong>London&nbsp;Goethe-Institut<\/strong><strong><br \/>\n<\/strong><\/p>\n<p>A selection of Fischinger\u2019s best-known works made between 1927-47, presented in their original formats with new prints restored by Academy Film Archive. This programme includes the early black &amp; white <em>Studies<\/em>, <em>Composition in Blue<\/em>, <em>Allegretto<\/em>, <em>Radio Dynamics<\/em>, <em>Motion Painting No. 1<\/em> and his other finest films.<\/p>\n<p><strong>Oskar Fischinger, R-1 (Ein Formspiel), 1927, 35mm, b\/w &amp; colour, silent with separate soundtrack, 7 min (Reconstruction by William Moritz)<\/strong><br \/>\n<strong> Oskar Fischinger, Study No. 1, 1927, 35mm, b\/w, silent, 2 min<\/strong><br \/>\n<strong> Oskar Fischinger, Study No. 2, 1930, 35mm, b\/w, silent, 2 min<\/strong><br \/>\n<strong> Oskar Fischinger, Liebesspiel, 1931, 35mm, b\/w, silent, 2 min<\/strong><br \/>\n<strong> Oskar Fischinger, Study No. 6, 1930, 35mm, b\/w, sound, 2 min<\/strong><br \/>\n<strong> Oskar Fischinger, Study No. 9, 1931, 35mm, b\/w, sound, 5 min<\/strong><br \/>\n<strong> Oskar Fischinger, Study No. 11A, 1934, 35mm, colour, sound, 3 min<\/strong><br \/>\n<strong> Oskar Fischinger, Kreise (Abstract Version), 1933-34, 35mm, colour, sound, 2 min<\/strong><br \/>\n<strong> Oskar Fischinger, Composition in Blue, 1935, 35mm, colour, sound, 4 min<\/strong><br \/>\n<strong> Oskar Fischinger, Allegretto (Early Version), 1936-43, 35mm, colour, sound, 3 min<\/strong><br \/>\n<strong> Oskar Fischinger, Paragretto, 1936, 35mm, b\/w, sound, 3 min<\/strong><br \/>\n<strong> Oskar Fischinger, Allegretto (Late Version), 1943, 35mm, colour, sound, 3 min<\/strong><br \/>\n<strong> Oskar Fischinger, An Optical Poem, 1937, 35mm, colour, sound, 7 min<\/strong><br \/>\n<strong> Oskar Fischinger, An American March, 1941, 35mm, colour, sound, 3 min<\/strong><br \/>\n<strong> Oskar Fischinger, Radio Dynamics, 1942, 35mm, colour, silent, 4 min<\/strong><br \/>\n<strong> Oskar Fischinger, Motion Painting No. 1, 1947, 35mm, colour, sound, 11 min<\/strong><\/p>\n<p>Oskar Fischinger films provided thanks to The Fischinger Archive, Centre for Visual Music, and The Academy Film Archive.<\/p>\n<p><em>Screening repeats Monday 8 December at 7pm. The screening on Friday evening will be introduced by A.L. Rees, Senior Research Fellow, Royal College of Art.&nbsp;<\/em><\/p>\n<p><em>This programme will also be shown at Dundee Contemporary Arts on Friday 12 December 2003, and Glasgow Film Theatre on Monday 15 December 2003.<\/em><\/p>\n<p>Please Note: This programme now travels under the title &#8220;Optical Poetry: Oskar Fischinger Retrospective&#8221; and is distributed by the <a href=\"http:\/\/www.centerforvisualmusic.org\/\" target=\"_blank\" rel=\"noopener\">Center for Visual Music<\/a>.&nbsp;<\/p>\n<p><em>Film still from Radio Dynamics (Oskar Fischinger, 1942)&nbsp;\u00a9 Center for Visual Music, all rights reserved. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OSKAR FISCHINGER: THE MASTERWORKS Friday 5 December 2003, at 7pm London&nbsp;Goethe-Institut A selection of Fischinger\u2019s best-known works made between 1927-47, presented in their original formats with new prints restored by Academy Film Archive. This programme includes the early black &amp; white Studies, Composition in Blue, Allegretto, Radio Dynamics, Motion Painting No. 1 and his other [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[124],"tags":[],"class_list":["post-3926","post","type-post","status-publish","format-standard","hentry","category-oskar-fischinger"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3926"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3926\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}